As gardens grow, the elegant one in downtown St. Paul came on fast. Within the past month, artists Harriet Bart and Yu-Wen Wu channeled a river, installed rocky cascades and pathways lined with blossoms.
Working by the light of a rising moon and shimmering water, they dissolved thick blankets of snow, sowed lush fields of tall green grass, swept in a flutter of pink petals. Now butterflies hover in the sparkling light, harbingers of summer days to come.
Theirs is an enchanted garden, readily glimpsed through the tall, street-level windows of the Minnesota Museum of American Art in the historic Pioneer Endicott building. At its official unveiling Saturday night, the garden will be a party scene. Students from nearby McNally Smith College of Music will perform musical riffs inspired by the artists' wall drawings, including random arrangements of black dots reminiscent of musical scores without key or clef signatures.
As its gallery setting implies, the Bart-Wu bower is a conceptual garden that includes real rocks and flowers but uses video, books, magnifying glasses and wall drawings to metaphorically evoke other elements of nature. They designed, built and assembled it over the past four weeks as visitors came and went, chatted and asked questions, even contributed ideas. It's on view through April 12.
Nature and artifice
Their river is a sinuous ribbon of crushed glass that sparkles in the sunlight as it ripples down the center of a 50-foot-long strip of tarpaper. The butterflies are translucent images affixed to magnifying glasses suspended from the ceiling like a crystalline forest.
At the head of the glass river, a wall-sized, mostly black-and-white video continuously shows the seasons changing in highly abstracted form. The full moon rises from a dark void, arcs through scudding clouds and enlarges into a circle of light glimmering on water spattered with rain drops. From the water arise thin columns of words, poetry that melts into mist or confetti-sized snowflakes. Thick grass, distant trees and hedge rows, the Stone Arch Bridge, rushing water and then the cycle begins again.
"We started with the title, 'Random Walks and Chance Encounters.' That was crucial," Bart said.
"But we had many, many years of conversation," Wu added. "We did two site visits here, then e-mailed ideas and texts, had coffee and conversations, sketched it out, photographed and built it."

