Even after a full day of phone interviews promoting his new movie "American Ultra," Jesse Eisenberg manages not to sound rote or weary.
"Easiest part of my job," he says perkily, describing the New York City hotel room in which he is ensconced as "really nice."
Eisenberg, who has two films in theatrical release right now, seems really nice, too — and really modest. The 31-year-old actor best known for his Oscar-nominated performance as Mark Zuckerberg in 2010's "The Social Network" says he doesn't know why he's been offered such wide-ranging roles since his breakout as the sensitive son of a divorcing couple in 2005's "The Squid and the Whale."
"I would never cast myself in anything," he said, sounding a bit like one of the directors he most admires, Woody Allen. "I feel like the completely lucky beneficiary of the imaginations of other people who think I can do it."
Eisenberg, whose face seems to perpetually wear an expression of concern, plays very different parts in his two movies out now. In "The End of the Tour," a Sundance fave getting critical raves, he portrays journalist David Lipsky, who shadows the late author David Foster Wallace for four days on a national book tour. In "American Ultra," opening Aug. 21, he's a stoner convenience store clerk who discovers he was actually trained as a government agent with a particular set of deadly skills. The movie is a mashup of three types of gritty-indie subgenres — action film, comedy and romance.
"I was shocked they could successfully blend all these elements," he said. "The comedy was good, the action surprising and engaging, and the romance sweeter than most romantic scripts I read. But what I liked most is that my character remains consistent in every scene, no matter how different."
Tackling action scenes
Eisenberg, who soon begins shooting his second film with Woody Allen, also takes a turn playing one of the all-time great villains, Lex Luthor, in "Batman v. Superman: Dawn of Justice," coming out in March.
"The sets were massive and the scenes very theatrical and dramatic, but always at the heart of it was getting to play a real character who can exist outside the context of the movie," he said. "It felt like an off-Broadway play in that way."