For at least this week and a couple more, Brian Moen might be the busiest drummer in Minneapolis — and he doesn't even live here anymore.
"I'm playing seven shows there in three weeks with three different bands, and have two recording sessions, too," the bespectacled heavy hitter reported, not meaning to brag.
Best known as Peter Pisano's rhythmic backer and studio-wiz accomplice in Peter Wolf Crier, Moen recently followed a girl out to Oakland, Calif., where he works as a designer for a company in Seattle. Ah, the life of a modern-day, Mac-equipped, telecommuting troubadour.
Moen left most of his musical heart in Minnesota and Wisconsin, though. He's back to work on a third PWC album with Pisano, who took a teaching job in Toronto but remains rooted here. The duo will play its first local gig of the year Aug. 9 at the Turf Club. Last weekend, Moen also got back together with his earlier band, Laarks, which just dropped its long-in-the-works sophomore album, "Fiat Lux."
This weekend, Moen will immerse himself in the most high-profile but least ambitious of his projects, the Shouting Matches. That's the vaguely bluesy and surprisingly straight-ahead rock trio featuring Justin Vernon (Bon Iver) and Phil Cook (Megafaun). They played the Coachella fest back in April, which you might call a warm-up to Friday's set at First Avenue and a show the previous night at Milwaukee's Turner Hall — currently their only gigs on the books.
"The whole point of the Shouting Matches is to not overthink anything, to just play together and see what comes out," Moen said. "It's sort of a true side project."
Moen, Vernon and Cook were all cohorts in the Eau Claire music scene in the mid-'00s, and even performed briefly as the Shouting Matches then. Vernon and Moen took it far enough to record a Shouting Matches EP, a more blues-heavy collection that has literally been sitting on the shelf for seven years. The printed copies will finally be dusted off for the merch table at these shows, alongside the new full-length album, "Grownass Man," which they recorded over the winter at Vernon's studio in Fall Creek, Wis.
"We made that first one in Justin's parents' basement," Moen recalled with a chuckle, "which was obviously a far cry from the world-class recording facility Justin has now."