"The Front Runner" refers to Gary Hart, the Democrats' presumptive presidential nominee in 1988 whose campaign collapsed because of a sex scandal.
But in many ways the term, and title of the compelling new film, could also refer to a new era — for press-presidential candidate relations, as well as a new and ever-evolving scrutiny that candidates received from voters.
Moviegoers of a certain age will quickly recall the salacious case and the sensational coverage surrounding it: Hart, a telegenic, technocratic Colorado senator (labeled an "Atari Democrat"), who had made a strong showing in a White House bid four years earlier, seemed a certainty for the nomination, if not the White House.
But in a chaotic campaign lasting only three weeks, Hart's alleged dalliance with Donna Rice in Bimini on a boat called "Monkey Business" (the jokes wrote themselves, as a Johnny Carson clip in the film attests) resulted in a reset of the race and, perhaps, history itself.
As depicted, Hart seemed to be playing by old rules regarding presidents (Franklin Roosevelt and John Kennedy among the most notable) who had had affairs that were known to reporters but not reported on.
But an emboldened post-Pentagon Papers, post-Watergate press corps, goaded in part by Hart's challenge to the New York Times' E.J. Dionne to "follow me around" with a promise that they'd "be very bored," broke the conspiratorial silence around such matters after a Miami Herald reporter did just that and staked out Hart's Washington townhouse.
"The Gary Hart controversy was so remarkable and decisive and destructive that it set a mark for presidential candidates" going forward, said Lawrence Jacobs, director of the Center for the Study of Politics and Governance at the Humphrey School. It also set a mark for media coverage, said Jacobs, who called it a "critical moment in the nature of press coverage and politics."
The coverage became a crush of reporters and photographers, Jacobs said, that reflected "a greater intensity, if not a feeding frenzy, that became almost a mob of journalists" that "operated in a herd on a singular story."