Ask devilishly funny actor Kersten Rodau to describe herself, and she'll say she's "a suburban wife and mom who acts."
Ask those who have cast her in lead roles at Ordway Center, Chanhassen Dinner Theatres and elsewhere, and they use such phrases as "a natural wonder of the stage." So says James Rocco, who put Rodau in the Ordway's current staging of "The Pirates of Penzance."
"It's touching that she's so devoted to her family and to living in the Twin Cities," Rocco said. "But if she were to go to a bigger market, she would be a huge Broadway star."
"A phenom with an incredible range" is how another Broadway veteran, director John Command, describes her. "Keri's so versatile. She's a lyric soprano and a mezzo. She belts. She's a dream for a director."
If Rodau's humility is surprising, it also seems sincere. It was formed early, when she was growing up in Elkhorn, Wis., with her mother, a nurse, and older brother, at the time a fiendish drummer. (Her parents divorced early and her father, a telephone company executive, lived in nearby Milwaukee.)
"If you see pictures of me from that era, I am always surrounded by all these beautiful blondes, and I was the funny one," she said. "I never thought of myself as pretty, so I had to find a way to distinguish myself."
Humor was the vehicle. Even now, Rodau is quick to make faces, whether squinching up her nose or giving funny looks onstage that elicit guffaws. In two decades of performing, she has made tens of thousands of people laugh on stages as varied as the Guthrie, Chanhassen and Jungle Theatre.
But Rodau did not think of entertaining audiences as a career. Initially, she wanted to follow in her mother's footsteps and become a nurse.