"The Revolution Will Not be Televised," mused musician and poet Gil Scott-Heron.
But it was filmed. And documentaries capturing the chaotic era are part of the Walker Art Center's "Legacy of '68," a film series that includes "In the Intense Now," which began a two-weekend run on Friday.
While '68 might evoke Chicago's Democratic National Convention and other domestic disturbances wracking (if not wrecking) American cities, the locations examined in this film — China, Czechoslovakia, France and director Joao Moreira Salles' native Brazil — reflect a global protest moment.
The themes of the movement itself were somewhat similar in the West but distinctly different in China, which was spiraling into the Maoist madness of the Cultural Revolution.
Meanwhile, the Prague Spring's "socialism with a human face" soon faced an inhuman Soviet crackdown. There was upheaval in Rio de Janeiro, and in Paris students and workers formed a tacit, temporary alliance that challenged Charles de Gaulle's government — and French society — to the core.
Most of the scenes in this heavy, heady director-narrated film happen on the street. First, it's impassioned idealists of a new generation challenging the old order. Later, however, it's not protests, but processions, as youth — and seemingly the fleeting era itself — are mourned when the center holds.
These were "protest movements born of rising expectations, a desire for more say," said Anne-Marie Slaughter, president and CEO of the New America think tank.
Slaughter, the keynote speaker at Saturday's Humphrey School of Public Affairs commencement, added that in Paris, even Prague, and especially the U.S., it was "a very important cultural moment in terms of rejecting a very conformist culture, but it was born much more of prosperity, whereas today it's not born of prosperity."