Television has a long way to go before it accurately reflects the country's diversity, but compared with the film world, it's a virtual rainbow coalition.
While the Academy Awards prepare for next week's Walk of Shame — it failed to nominate a single person of color in an acting category for the second year in a row — TV can point to critical acclaim and strong numbers for racially mixed series such as "Orange Is the New Black," "How to Get Away With Murder" and "The Walking Dead."
But despite the progress, it still feels as though Hispanic women are woefully underserved. Yes, Sofia Vergara of "Modern Family" is TV's highest paid actress, but her success comes from playing a trophy wife who trips over the English language and refers casually to her violent Colombian upbringing. No other female Hispanic TV actress made Forbes' annual list of big-money players for 2015.
If there's hope that the times are changing, it's on NBC.
Yes, NBC, the network that leapt to first place in the mid-1980s on the strength of "The Cosby Show," about a well-off black family — and then blew it, happily basking in the success of "Friends" and "Seinfeld," shows that suggested people of color no longer frequented diners and coffee shops in New York City.
NBC is desperate again, which means it'll try anything — including having Hispanic actresses lead three series, "Shades of Blue," "Superstore" and "Telenovela." Network brass may not say it, but they are definitely taking a cue from ABC, which reversed its fortunes a decade ago by hitching its wagon to producer and writer Shonda Rhimes, who has done more for diversity in network TV than any other single person.
"I just remember watching 'Grey's Anatomy' and thinking, 'Wow, she's putting this person in this role and that person in that role,' and it was so interesting," said "Shades of Blue" star Jennifer Lopez. "Since then, it's becoming more the norm."
What's worth noting in the case of "Shades of Blue" isn't Lopez's role on screen (her role as a crooked cop is about as credible as Denise Richards suiting up as a nuclear physicist in the 1999 James Bond flick "The World Is Not Enough") but that she's one of the drama's executive producers — a sign that she's a force to be reckoned with. In the film world, directors may sit atop the pyramid, but in TV, the producer is king — or, as is becoming more and more the case, the queen.