Minneapolis improv comedy kings bow down to 'Harold'

"Chia Pets!"

The voice rang out above dozens of others as the near-sellout crowd at Huge Improv Theater scrambled to suggest something nostalgic.

Then members of an improv comedy team stepped up to relate anecdotes and associations the phrase brought to mind — like how the shoulder-pad fashion trend of the 1980s made every woman look like a linebacker.

Ten minutes later, the team and the audience were in the thick of three off-kilter narratives, following a quintet of musically inclined fur trappers; a father intent on watching bizarre VHS tapes with his son; and a quest for the secret of Rob Lowe's eternal youth. By the end of a half-hour, all of those seemingly unrelated stories managed to dovetail into something resembling a satisfying conclusion.

Welcome to the Harold. Or at least, one interpretation of the Harold. It's all part of Huge's "Harold Turns 50" celebration of what's arguably the most important cornerstone of long-form improv.

So what exactly is a Harold? Basically, it's a set of guidelines that help an improv team develop a scene. "The simplest explanation is just three story lines, each visited three times," said Huge co-founder Butch Roy.

You can pick out the familiar beats of the Harold in just about every TV sitcom.

"A group of performers will take an audience suggestion and build on that idea in ways that are unpredictable even to the performers," said Molly Chase, director of House of Whimsy, one of three teams that are performing at Huge every Saturday through the end of October. "There will likely be moments of poignancy and humor, and the whole room — audience and improvisers — are in it together.

"It's immediate, it has never happened before, and will never happen again."

The first Harold was performed in 1967 by the Committee, a San Francisco-based comedy group known for experimenting with narrative structures that employed improv games and exercises.

When the group decided that it needed a name for its creation, one member reportedly cracked that "Harold" would be nice. The handle stuck, to the slight chagrin of generations of performers who have had to explain its origin.

Committee member Del Close dedicated much of his career to honing and teaching the Harold. In the 1994 book "Truth in Comedy," generally regarded as the improviser's bible, he and co-authors Charna Halpern and Kim "Howard" Johnson explain that "the Harold is like the space shuttle, incorporating all of the developments and discoveries that have gone before it into one new, superior design."

Close's efforts as an instructor and co-founder of Chicago's iO Theater became the foundation for much of American comedy as we know it.

No local venue feels that influence more acutely than Huge Theater. With "Harold Turns 50," Minnesota's most visible improv venue is paying homage to its roots and giving some of the Twin Cities' top improvisers a chance to get back to the basics.

"There are a lot of improv structures, but there's something magic about the Harold, the way you start with an opening and it brings out a truth," said Drew Kersten, director of the Kempt team.

Kempt assistant director John Gebretatose agreed that it's all about capturing those truths. "It's people playing with confidence … making comment on real-life things. Like women's shoulder pads in the '80s and how they had to look like football players just to get through life. For me, that's what makes it successful: a through-line or a narrative commenting on society."

One of the reasons improv remains a hard sell for some audiences is that it's the ultimate "had to be there" entertainment. It's difficult to explain how the shoulder pad observation might snowball into a scene about Jennifer Aniston devouring the life force of her young fans, but for those watching the performers feed off one another's energy and make connections, the evolution is electrifying.

Those hazy connections are very much by design, Kersten said. "If the opening is about Diet Coke, you don't want to see three scenes about Diet Coke. You want them spread out as far as possible, so when they start to come back together it brings a bit more of that magic."

The laughs in a Harold show seldom come from a standard setup/punchline delivery. In fact, one of the first rules laid out in "Truth in Comedy" is "Don't go for the jokes." Instead, the comedy in a long-form show comes largely from watching relatable situations spiral into unexpected directions.

"The least successful Harolds are when we let our 'I know where this needs to go' take over and steer things instead of discovering all the way through," Roy said. "Because if we know where it needs to go, so does the audience."

The form's flexibility is obvious watching the three teams of five performers in the "Harold Turns 50" showcase.

On opening night, the House of Whimsy team produced a trio of focused, slice-of-life vignettes about crumbling relationships, disillusioned carnival workers and spiteful chess players. While the scenes frequently veered into weirdness, they remained grounded in a way that drew laughs of recognition from the crowd.

The Speficicity team, on the other hand, dove deeper into surreality right off the bat with a scene about two buddies literally riding each other's good vibes like a surfboard. That story line soon intertwined with two bird-watchers who misplaced a baby, and a home brewer crafting a hugely popular beer that smelled of cat urine, all of it building into a crescendo of absurdity that had the audience roaring for very different reasons.

As much reverence as the local improv community has for the Harold, the form represents something different in the Twin Cities than it does in improv hotbeds such as New York, Chicago and Los Angeles, where making it onto a high-profile Harold team can be a major career steppingstone. Many performers move to those cities for that reason.

"In Minnesota it's a strong part of the tradition, but at Huge Theater, Harold is only one of the forms that gets done," Kersten said.

While Close did some work with Minnesota comedy godfather Dudley Riggs and his Brave New Workshop, Huge encourages experimentation and focuses more on building strong teams of performers, regardless of form.

"Team first, format second: That's what differentiates us from the coasts," Gebretatose said. "We're better anyway," he added with a laugh.

Ira Brooker is a St. Paul-based freelance writer and editor.

LOS ANGELES — Parched Southern California continued to face dangerous winds but could get some badly needed rain this weekend, forecasters said Tuesday, dampening the prospects of another round of killer wildfires though even a small amount of precipitation could could create new challenges like toxic ash runoff.

Los Angeles officials were preparing for that prospect even as a small number of residents were allowed to return to the devastated Pacific Palisades area and firefighters battled small blazes that broke out.

Mayor Karen Bass issued an executive order to expedite cleanup efforts in burn areas and mitigate the environmental impacts of fire-related pollutants. She ordered crews to remove vegetation, shore up hillsides, install barriers and reinforce roads ahead of the possible weekend rain, which could create mud and debris flows.

''This is to prevent additional damage to areas already ravaged by fire and also to protect our watershed, beaches and ocean from toxic runoff,'' Bass said during a news conference.

A 60% to 80% chance of a small amount of rain was forecast for Southern California starting Saturday, with most areas likely getting not more than a third of an inch (0.8 cm), according to Ryan Kittell, a meteorologist for the National Weather Service's office for Los Angeles. However up to an inch (2.5 centimeters) could fall in localized thunderstorms, which would be a worst-case scenario if enough to trigger debris flows on scorched hillsides.

''But even if the rain doesn't materialize this time, it could be a good practice run for those communities because this will be a threat that they'll have to deal with for months or years,'' Kittell said.

In 2018, Montecito, a town 80 miles (130 kilometers) up the coast from Los Angeles, was ravaged by mudslides after a downpour hit mountain slopes burned bare by a huge wildfire. Twenty-three people died, and hundreds of homes were damaged.

Winds eased somewhat Tuesday afternoon after peaking at 60 mph (96 kph) in many areas, but gusty conditions were expected to return the next two days. Red flag warnings for critical fire risk were extended through 8 p.m. Thursday in LA and Ventura counties.

''If a fire were to get started, it could grow pretty fast,'' Kittell said.

''Our concern is the next fire, the next spark that causes the next wildfire,'' said David Acuna, a spokesman with the California Department of Forestry and Fire Protection, or Cal Fire. Another worry was that the two major blazes, the Palisades and Eaton fires, could break their containment lines as firefighters continue to keep watch for hot spots.

Fire engines and water-dropping aircraft allowed crews to swiftly douse several small blazes that popped up in LA and San Diego counties, officials said.

One of them, the Friars Fire, broke out near a San Diego mall and prompted evacuation orders as it sent flames up a hillside toward homes.

Meanwhile evacuation orders were lifted in the Bonsall area of San Diego County for the Lilac Fire, which burned through dry brush after threatening some structures, Cal Fire said. Nearby crews fully contained the Pala Fire, another small blaze.

In Los Angeles the previous day, firefighters quickly extinguished a small brush fire near the iconic Griffith Observatory in a sprawling park overlooking the city. A man suspected of starting the fire was taken into custody, police said.

Fire crews also swiftly extinguished a small blaze near Tujunga and another one in the Granada Hills neighborhood that temporarily closed northbound lanes on Interstate 405.

Southern California Edison preemptively shut off power to more than 60,000 customers in five counties to prevent new fires from being sparked by winds toppling electrical equipment; electricity was later restored to some. The utility was considering precautionary shutoffs for an additional 202,000 customers.

Authorities urged residents to review evacuation plans, prepare emergency kits and be on the lookout for fires and report them quickly.

Bass also warned that winds could carry ash and advised Angelenos to visit the city's website to learn how to protect themselves from toxic air during the latest Santa Ana wind event.

The low humidity, bone-dry vegetation and strong winds come as firefighters continue battling the Palisades and Eaton fires, which have killed at least 28 people and destroyed more than 14,000 structures since they broke out Jan. 7. Containment of the Palisades Fire reached 61%, and the Eaton Fire was at 87%.

The federal Bureau of Alcohol, Tobacco and Firearms is investigating the causes of the fires but has not released any findings.

Several lawsuits have been filed by people who lost their homes in the Eaton Fire, alleging Southern California Edison equipment sparked the blaze. On Tuesday a judge overseeing one of the lawsuits ordered the utility to produce data from circuits in the area where the fire started.

President Donald Trump, who criticized the response to the wildfires during his inaugural address Monday, has said he will travel to Los Angeles on Friday.

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Associated Press radio reporter Julie Walker in New York contributed.