"Chia Pets!"
Minneapolis improv comedy kings bow down to 'Harold'
Huge Theater celebrates the 50th birthday of an improvisational form that's become a cornerstone of modern comedy.
By IRA BROOKER
The voice rang out above dozens of others as the near-sellout crowd at Huge Improv Theater scrambled to suggest something nostalgic.
Then members of an improv comedy team stepped up to relate anecdotes and associations the phrase brought to mind — like how the shoulder-pad fashion trend of the 1980s made every woman look like a linebacker.
Ten minutes later, the team and the audience were in the thick of three off-kilter narratives, following a quintet of musically inclined fur trappers; a father intent on watching bizarre VHS tapes with his son; and a quest for the secret of Rob Lowe's eternal youth. By the end of a half-hour, all of those seemingly unrelated stories managed to dovetail into something resembling a satisfying conclusion.
Welcome to the Harold. Or at least, one interpretation of the Harold. It's all part of Huge's "Harold Turns 50" celebration of what's arguably the most important cornerstone of long-form improv.
So what exactly is a Harold? Basically, it's a set of guidelines that help an improv team develop a scene. "The simplest explanation is just three story lines, each visited three times," said Huge co-founder Butch Roy.
You can pick out the familiar beats of the Harold in just about every TV sitcom.
"A group of performers will take an audience suggestion and build on that idea in ways that are unpredictable even to the performers," said Molly Chase, director of House of Whimsy, one of three teams that are performing at Huge every Saturday through the end of October. "There will likely be moments of poignancy and humor, and the whole room — audience and improvisers — are in it together.
"It's immediate, it has never happened before, and will never happen again."
Origin story
The first Harold was performed in 1967 by the Committee, a San Francisco-based comedy group known for experimenting with narrative structures that employed improv games and exercises.
When the group decided that it needed a name for its creation, one member reportedly cracked that "Harold" would be nice. The handle stuck, to the slight chagrin of generations of performers who have had to explain its origin.
Committee member Del Close dedicated much of his career to honing and teaching the Harold. In the 1994 book "Truth in Comedy," generally regarded as the improviser's bible, he and co-authors Charna Halpern and Kim "Howard" Johnson explain that "the Harold is like the space shuttle, incorporating all of the developments and discoveries that have gone before it into one new, superior design."
Close's efforts as an instructor and co-founder of Chicago's iO Theater became the foundation for much of American comedy as we know it.
No local venue feels that influence more acutely than Huge Theater. With "Harold Turns 50," Minnesota's most visible improv venue is paying homage to its roots and giving some of the Twin Cities' top improvisers a chance to get back to the basics.
"There are a lot of improv structures, but there's something magic about the Harold, the way you start with an opening and it brings out a truth," said Drew Kersten, director of the Kempt team.
Kempt assistant director John Gebretatose agreed that it's all about capturing those truths. "It's people playing with confidence … making comment on real-life things. Like women's shoulder pads in the '80s and how they had to look like football players just to get through life. For me, that's what makes it successful: a through-line or a narrative commenting on society."
One of the reasons improv remains a hard sell for some audiences is that it's the ultimate "had to be there" entertainment. It's difficult to explain how the shoulder pad observation might snowball into a scene about Jennifer Aniston devouring the life force of her young fans, but for those watching the performers feed off one another's energy and make connections, the evolution is electrifying.
Those hazy connections are very much by design, Kersten said. "If the opening is about Diet Coke, you don't want to see three scenes about Diet Coke. You want them spread out as far as possible, so when they start to come back together it brings a bit more of that magic."
The laughs in a Harold show seldom come from a standard setup/punchline delivery. In fact, one of the first rules laid out in "Truth in Comedy" is "Don't go for the jokes." Instead, the comedy in a long-form show comes largely from watching relatable situations spiral into unexpected directions.
"The least successful Harolds are when we let our 'I know where this needs to go' take over and steer things instead of discovering all the way through," Roy said. "Because if we know where it needs to go, so does the audience."
Grounded weirdness
The form's flexibility is obvious watching the three teams of five performers in the "Harold Turns 50" showcase.
On opening night, the House of Whimsy team produced a trio of focused, slice-of-life vignettes about crumbling relationships, disillusioned carnival workers and spiteful chess players. While the scenes frequently veered into weirdness, they remained grounded in a way that drew laughs of recognition from the crowd.
The Speficicity team, on the other hand, dove deeper into surreality right off the bat with a scene about two buddies literally riding each other's good vibes like a surfboard. That story line soon intertwined with two bird-watchers who misplaced a baby, and a home brewer crafting a hugely popular beer that smelled of cat urine, all of it building into a crescendo of absurdity that had the audience roaring for very different reasons.
As much reverence as the local improv community has for the Harold, the form represents something different in the Twin Cities than it does in improv hotbeds such as New York, Chicago and Los Angeles, where making it onto a high-profile Harold team can be a major career steppingstone. Many performers move to those cities for that reason.
"In Minnesota it's a strong part of the tradition, but at Huge Theater, Harold is only one of the forms that gets done," Kersten said.
While Close did some work with Minnesota comedy godfather Dudley Riggs and his Brave New Workshop, Huge encourages experimentation and focuses more on building strong teams of performers, regardless of form.
"Team first, format second: That's what differentiates us from the coasts," Gebretatose said. "We're better anyway," he added with a laugh.
Ira Brooker is a St. Paul-based freelance writer and editor.
WASHINGTON — Senators vetting the nomination of Pete Hegseth for defense secretary received an affidavit Tuesday from a former sister-in-law alleging that the onetime Fox News host was abusive to his second wife, to the point where she feared for her safety. Hegseth denies the allegations.
The sister-in-law, Danielle Hegseth, was formerly married to the nominee's brother, and in an affidavit obtained by The Associated Press, she said she believes that Pete Hegseth is ''unfit'' to run the Defense Department based on what she witnessed and heard. She said she first relayed her allegations to the FBI in December but was concerned that the information was not shared with Congress as senators consider Hegseth's nomination to lead the Pentagon.
The affidavit describes Hegseth's treatment of his second wife, Samantha, and alleges repeat drunkenness and a domestic situation where Samantha Hegseth had a safe word to indicate if she was in danger at home. Danielle Hegseth said Samantha texted that safe word to her sometime in 2015 or 2016, which prompted her to call a third party for help.
''I have chosen to come forward publicly, at significant personal sacrifice, because I am deeply concerned by what Hegseth's confirmation would mean for our military and our country,'' she said.
An attorney for Pete Hegseth vehemently denied the allegations. Tim Parlatore said the affidavit was filled with ''belated claims'' by an ex-relative with ''an axe to grind against the entire Hegseth family.''
''Sam has never alleged that there was any abuse, she signed court documents acknowledging that there was no abuse and recently reaffirmed the same during her FBI interview," Parlatore said in a statement. "Belated claims by Danielle Dietrich, an anti-Trump far left Democrat who is divorced from Mr. Hegseth's brother and never got along with the Hegseth family, do nothing to change that.''
The affidavit was filed in response to a request from Sen. Jack Reed of Rhode Island, the top Democrat on the Senate Armed Services Committee, who said he was seeking her statement to gain ''personal knowledge about Mr. Hegseth's fitness to occupy this important position.''
In the affidavit, Danielle Hegseth says she believes Hegseth's marriage to Samantha was abusive. She said Samantha in 2014 told her she once hid in her closet because she feared for her safety. She acknowledged she did ''not personally witness physical or sexual abuse'' by Pete Hegseth toward his wife.
''I believe what Samantha told me because what she told me is consistent with what I personally observed of Hegseth's erratic and aggressive behavior over many years,'' she said.
Neither Samantha Hegseth nor an attorney who represented her in divorce proceedings immediately responded to requests for comment. A lawyer for Danielle Hegseth noted that she wouldn't be commenting further than the affidavit.
In a statement to NBC News, which first reported on the affidavit, Samantha Hegseth said there "was no physical abuse in my marriage. This is the only further statement I will make to you, I have let you know that I am not speaking and will not speak on my marriage to Pete. Please respect this decision.''
Samantha Hegseth and Pete Hegseth both signed a Minnesota court document in 2021 during their divorce saying neither claimed to be a victim of domestic abuse.
Republican leaders said they doubted the new allegations would change the votes of support they are lining up for Hegseth. They marched ahead with the nomination Tuesday evening, taking a key procedural step needed to confirm him by week's end.
''Looks like a desperate ploy by Democrats who are being driven by the far left because they know that we have the votes to confirm,'' said Sen. John Barrasso, the No. 2 GOP leader.
Asked if the new allegations changes the votes for Hegseth, he said: ''No.''
Sen. John Cornyn, R-Texas, said he was aware of the reported allegations and compared the situation to the claims made against Brett Kavanaugh during his own confirmation hearing, before he was eventually confirmed as a Supreme Court justice.
''I don't really have anything to offer,'' Cornyn said. ''I was involved in the Kavanaugh hearings, where people came out of the closet making all sorts of false allegations.''
Questions were raised before Hegseth's hearing last week about the scope of the FBI background check, which some said failed to include interviews with those who had raised allegations against him. Democrats pushed for a deeper FBI review that could be more broadly shared with senators.
During the hearing, Hegseth did not directly answer yes or no to questions about his drinking, instead saying the issue was part of an orchestrated smear campaign against him.
At the time, it was left to the Trump transition team to decide how much more information to pursue and share on Hegseth.
The information in the affidavit was not relayed to the leaders of the Armed Services Committee when FBI officials briefed them earlier this month on the results of Hegseth's background check, according to a person familiar with the contents of the briefing who was granted anonymity to discuss it.
''As I have said for months, the reports of Mr. Hegseth's history of alleged sexual assault, alcohol abuse, and public misconduct necessitate an exhaustive background investigation," Reed said in a statement Tuesday. ''I have been concerned that the background check process has been inadequate, and this affidavit confirms my fears.''
Hegseth was grilled by senators during his hearing about his behavior, including excessive drinking, extramarital affairs and allegations of sexual assault, which he has denied.
Hegseth has promised not to drink on the job and has denied a 2017 sex assault allegation but acknowledged paying the woman a settlement. He was going through a divorce at the time after having a child with a Fox News producer who became his current wife, according to court records and his social media posts.
In the affidavit, Danielle Hegseth also alleges that Pete Hegseth, while under the influence of alcohol and both were leaving a bar, repeatedly shouted ''no means yes!"
''I took this to mean that, in his opinion, nonconsensual sex is ok,'' Danielle Hegseth said in the affidavit.
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AP reporters Eric Tucker and Lolita C. Baldor contributed from Washington.
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