"Chia Pets!"
Minneapolis improv comedy kings bow down to 'Harold'
Huge Theater celebrates the 50th birthday of an improvisational form that's become a cornerstone of modern comedy.
By IRA BROOKER
The voice rang out above dozens of others as the near-sellout crowd at Huge Improv Theater scrambled to suggest something nostalgic.
Then members of an improv comedy team stepped up to relate anecdotes and associations the phrase brought to mind — like how the shoulder-pad fashion trend of the 1980s made every woman look like a linebacker.
Ten minutes later, the team and the audience were in the thick of three off-kilter narratives, following a quintet of musically inclined fur trappers; a father intent on watching bizarre VHS tapes with his son; and a quest for the secret of Rob Lowe's eternal youth. By the end of a half-hour, all of those seemingly unrelated stories managed to dovetail into something resembling a satisfying conclusion.
Welcome to the Harold. Or at least, one interpretation of the Harold. It's all part of Huge's "Harold Turns 50" celebration of what's arguably the most important cornerstone of long-form improv.
So what exactly is a Harold? Basically, it's a set of guidelines that help an improv team develop a scene. "The simplest explanation is just three story lines, each visited three times," said Huge co-founder Butch Roy.
You can pick out the familiar beats of the Harold in just about every TV sitcom.
"A group of performers will take an audience suggestion and build on that idea in ways that are unpredictable even to the performers," said Molly Chase, director of House of Whimsy, one of three teams that are performing at Huge every Saturday through the end of October. "There will likely be moments of poignancy and humor, and the whole room — audience and improvisers — are in it together.
"It's immediate, it has never happened before, and will never happen again."
Origin story
The first Harold was performed in 1967 by the Committee, a San Francisco-based comedy group known for experimenting with narrative structures that employed improv games and exercises.
When the group decided that it needed a name for its creation, one member reportedly cracked that "Harold" would be nice. The handle stuck, to the slight chagrin of generations of performers who have had to explain its origin.
Committee member Del Close dedicated much of his career to honing and teaching the Harold. In the 1994 book "Truth in Comedy," generally regarded as the improviser's bible, he and co-authors Charna Halpern and Kim "Howard" Johnson explain that "the Harold is like the space shuttle, incorporating all of the developments and discoveries that have gone before it into one new, superior design."
Close's efforts as an instructor and co-founder of Chicago's iO Theater became the foundation for much of American comedy as we know it.
No local venue feels that influence more acutely than Huge Theater. With "Harold Turns 50," Minnesota's most visible improv venue is paying homage to its roots and giving some of the Twin Cities' top improvisers a chance to get back to the basics.
"There are a lot of improv structures, but there's something magic about the Harold, the way you start with an opening and it brings out a truth," said Drew Kersten, director of the Kempt team.
Kempt assistant director John Gebretatose agreed that it's all about capturing those truths. "It's people playing with confidence … making comment on real-life things. Like women's shoulder pads in the '80s and how they had to look like football players just to get through life. For me, that's what makes it successful: a through-line or a narrative commenting on society."
One of the reasons improv remains a hard sell for some audiences is that it's the ultimate "had to be there" entertainment. It's difficult to explain how the shoulder pad observation might snowball into a scene about Jennifer Aniston devouring the life force of her young fans, but for those watching the performers feed off one another's energy and make connections, the evolution is electrifying.
Those hazy connections are very much by design, Kersten said. "If the opening is about Diet Coke, you don't want to see three scenes about Diet Coke. You want them spread out as far as possible, so when they start to come back together it brings a bit more of that magic."
The laughs in a Harold show seldom come from a standard setup/punchline delivery. In fact, one of the first rules laid out in "Truth in Comedy" is "Don't go for the jokes." Instead, the comedy in a long-form show comes largely from watching relatable situations spiral into unexpected directions.
"The least successful Harolds are when we let our 'I know where this needs to go' take over and steer things instead of discovering all the way through," Roy said. "Because if we know where it needs to go, so does the audience."
Grounded weirdness
The form's flexibility is obvious watching the three teams of five performers in the "Harold Turns 50" showcase.
On opening night, the House of Whimsy team produced a trio of focused, slice-of-life vignettes about crumbling relationships, disillusioned carnival workers and spiteful chess players. While the scenes frequently veered into weirdness, they remained grounded in a way that drew laughs of recognition from the crowd.
The Speficicity team, on the other hand, dove deeper into surreality right off the bat with a scene about two buddies literally riding each other's good vibes like a surfboard. That story line soon intertwined with two bird-watchers who misplaced a baby, and a home brewer crafting a hugely popular beer that smelled of cat urine, all of it building into a crescendo of absurdity that had the audience roaring for very different reasons.
As much reverence as the local improv community has for the Harold, the form represents something different in the Twin Cities than it does in improv hotbeds such as New York, Chicago and Los Angeles, where making it onto a high-profile Harold team can be a major career steppingstone. Many performers move to those cities for that reason.
"In Minnesota it's a strong part of the tradition, but at Huge Theater, Harold is only one of the forms that gets done," Kersten said.
While Close did some work with Minnesota comedy godfather Dudley Riggs and his Brave New Workshop, Huge encourages experimentation and focuses more on building strong teams of performers, regardless of form.
"Team first, format second: That's what differentiates us from the coasts," Gebretatose said. "We're better anyway," he added with a laugh.
Ira Brooker is a St. Paul-based freelance writer and editor.
ANKARA, Turkey — A fire raged through a 12-story hotel at a popular ski resort in northwestern Turkey early Tuesday during a school holiday, killing at least 76 people — at least two of them when they jumped from the building to escape the flames, officials said.
At least 51 people also were injured in the fire at the Grand Kartal hotel in Kartalkaya, in Bolu province's Koroglu mountains, some 300 kilometers (185 miles) east of Istanbul, said Interior Minister Ali Yerlikaya. The fire occurred near the start of a two-week winter break for schools, when hotels in the region are packed.
''Our hearts are broken. We are in mourning, '' Yerlikaya told reporters outside the hotel. ''But you should know that whoever is responsible for causing this pain will not escape justice."
Atakan Yelkovan, a hotel guest staying on the third floor, told the IHA news agency there was chaos on the upper floors as other guests tried to escape, including by trying to climb down from their rooms using sheets and blankets.
''People on the upper floors were screaming. They hung down sheets ... Some tried to jump,'' Yelkovan said.
Yerlikaya said 45 of the 76 people killed have been identified while efforts to identify the other victims were continuing.
''Forty-five bodies were delivered to their families. We could not (immediately) identify the others,'' Yerlikaya said, adding that the emergency response teams would conduct a final search for victims on Wednesday.
Health Minister Kemal Memisoglu said at least one of the injured was in serious condition, while 17 other people were treated and released.
The hotel had 238 registered guests, Yerlikaya said. The fire was reported at 3:27 a.m. and the fire department began to respond at 4:15 a.m., he told reporters.
The government appointed six prosecutors to lead an investigation into the blaze, which is believed to have started in the hotel's restaurant section. Nine people have been detained as part of the investigation into the fire, Yerlikaya said. Earlier, Justice Minister Yilmaz Tunc said the hotel's owner was among the people detained for questioning in the probe.
At least two of the victims died when they jumped from the building in panic, Gov. Abdulaziz Aydin told the state-run Anadolu Agency earlier. Those killed included Nedim Turkmen, a columnist for Sozcu newspaper, his wife and two children, the newspaper announced.
Turkish President Recep Tayyip Erdogan announced a day of national mourning to be observed on Wednesday. All flags at government buildings and Turkish diplomatic mission abroad would be lowered to half-staff, he said.
Necmi Kepcetutan, a ski instructor at the hotel, said he was asleep when the fire erupted and he rushed out of the building. He told NTV television that he then helped some 20 guests out of the hotel.
The hotel was engulfed in smoke, making it difficult for guests to locate the fire escape, he said.
''I cannot reach some of my students. I hope they are OK,'' the ski instructor told the station.
Television images showed the roof and top floors of the hotel on fire.
Witnesses and reports suggested that the hotel's fire detection system failed to operate.
''My wife smelled the burning. The alarm did not go off,'' said Yelkovan, the guest interviewed by IHA. ''We tried to go upstairs but couldn't, there were flames. We went downstairs and came here (outside),'' he said.
Yelkovan said it took about an hour for the firefighting teams to arrive.
NTV television suggested that the wooden cladding on the exterior of the hotel, in a chalet-style design, may have accelerated the spread of the fire.
Part of the 161-room hotel is on the side of a cliff, hampering efforts to combat the flames.
''Because the rear side is on a slope, intervention could only be made from the front and sides,'' Yerlikaya confirmed.
Tourism Minister Mehmet Nuri Ersoy told reporters that the hotel underwent inspections in 2021 and 2024 and that ''no negative situation regarding fire competence'' was reported by the fire department.
Earlier, in an address in Ankara, Erdogan said: ''Unfortunately, we received very sad news this morning from Bolu, Kartalkaya. Our brothers and sisters were killed and injured in a fire that broke out in a hotel.''
''All necessary steps will be taken to shed light on all aspects of the incident and to hold those responsible accountable,'' he added.
NTV showed a smoke-blackened lobby, its glass entrance and windows smashed, its wooden reception desk charred and a chandelier crashed to the ground.
Aydin's office said 30 fire trucks and 28 ambulances were sent to the site.
Other hotels at the resort were evacuated as a precaution and guests were placed in hotels around Bolu.
Meanwhile, a gas explosion at a hotel at another ski resort in central Turkey injured four people.
The explosion took place at the Yildiz Mountain Winter Sports Center in Sivas province. Two skiers and their instructor were slightly injured while another instructor received second-degree burns to the hands and face, the Sivas governor's office said.
about the writer
IRA BROOKER
Critics’ picks for entertainment in the week ahead.