"Chia Pets!"
Minneapolis improv comedy kings bow down to 'Harold'
Huge Theater celebrates the 50th birthday of an improvisational form that's become a cornerstone of modern comedy.
By IRA BROOKER
The voice rang out above dozens of others as the near-sellout crowd at Huge Improv Theater scrambled to suggest something nostalgic.
Then members of an improv comedy team stepped up to relate anecdotes and associations the phrase brought to mind — like how the shoulder-pad fashion trend of the 1980s made every woman look like a linebacker.
Ten minutes later, the team and the audience were in the thick of three off-kilter narratives, following a quintet of musically inclined fur trappers; a father intent on watching bizarre VHS tapes with his son; and a quest for the secret of Rob Lowe's eternal youth. By the end of a half-hour, all of those seemingly unrelated stories managed to dovetail into something resembling a satisfying conclusion.
Welcome to the Harold. Or at least, one interpretation of the Harold. It's all part of Huge's "Harold Turns 50" celebration of what's arguably the most important cornerstone of long-form improv.
So what exactly is a Harold? Basically, it's a set of guidelines that help an improv team develop a scene. "The simplest explanation is just three story lines, each visited three times," said Huge co-founder Butch Roy.
You can pick out the familiar beats of the Harold in just about every TV sitcom.
"A group of performers will take an audience suggestion and build on that idea in ways that are unpredictable even to the performers," said Molly Chase, director of House of Whimsy, one of three teams that are performing at Huge every Saturday through the end of October. "There will likely be moments of poignancy and humor, and the whole room — audience and improvisers — are in it together.
"It's immediate, it has never happened before, and will never happen again."
Origin story
The first Harold was performed in 1967 by the Committee, a San Francisco-based comedy group known for experimenting with narrative structures that employed improv games and exercises.
When the group decided that it needed a name for its creation, one member reportedly cracked that "Harold" would be nice. The handle stuck, to the slight chagrin of generations of performers who have had to explain its origin.
Committee member Del Close dedicated much of his career to honing and teaching the Harold. In the 1994 book "Truth in Comedy," generally regarded as the improviser's bible, he and co-authors Charna Halpern and Kim "Howard" Johnson explain that "the Harold is like the space shuttle, incorporating all of the developments and discoveries that have gone before it into one new, superior design."
Close's efforts as an instructor and co-founder of Chicago's iO Theater became the foundation for much of American comedy as we know it.
No local venue feels that influence more acutely than Huge Theater. With "Harold Turns 50," Minnesota's most visible improv venue is paying homage to its roots and giving some of the Twin Cities' top improvisers a chance to get back to the basics.
"There are a lot of improv structures, but there's something magic about the Harold, the way you start with an opening and it brings out a truth," said Drew Kersten, director of the Kempt team.
Kempt assistant director John Gebretatose agreed that it's all about capturing those truths. "It's people playing with confidence … making comment on real-life things. Like women's shoulder pads in the '80s and how they had to look like football players just to get through life. For me, that's what makes it successful: a through-line or a narrative commenting on society."
One of the reasons improv remains a hard sell for some audiences is that it's the ultimate "had to be there" entertainment. It's difficult to explain how the shoulder pad observation might snowball into a scene about Jennifer Aniston devouring the life force of her young fans, but for those watching the performers feed off one another's energy and make connections, the evolution is electrifying.
Those hazy connections are very much by design, Kersten said. "If the opening is about Diet Coke, you don't want to see three scenes about Diet Coke. You want them spread out as far as possible, so when they start to come back together it brings a bit more of that magic."
The laughs in a Harold show seldom come from a standard setup/punchline delivery. In fact, one of the first rules laid out in "Truth in Comedy" is "Don't go for the jokes." Instead, the comedy in a long-form show comes largely from watching relatable situations spiral into unexpected directions.
"The least successful Harolds are when we let our 'I know where this needs to go' take over and steer things instead of discovering all the way through," Roy said. "Because if we know where it needs to go, so does the audience."
Grounded weirdness
The form's flexibility is obvious watching the three teams of five performers in the "Harold Turns 50" showcase.
On opening night, the House of Whimsy team produced a trio of focused, slice-of-life vignettes about crumbling relationships, disillusioned carnival workers and spiteful chess players. While the scenes frequently veered into weirdness, they remained grounded in a way that drew laughs of recognition from the crowd.
The Speficicity team, on the other hand, dove deeper into surreality right off the bat with a scene about two buddies literally riding each other's good vibes like a surfboard. That story line soon intertwined with two bird-watchers who misplaced a baby, and a home brewer crafting a hugely popular beer that smelled of cat urine, all of it building into a crescendo of absurdity that had the audience roaring for very different reasons.
As much reverence as the local improv community has for the Harold, the form represents something different in the Twin Cities than it does in improv hotbeds such as New York, Chicago and Los Angeles, where making it onto a high-profile Harold team can be a major career steppingstone. Many performers move to those cities for that reason.
"In Minnesota it's a strong part of the tradition, but at Huge Theater, Harold is only one of the forms that gets done," Kersten said.
While Close did some work with Minnesota comedy godfather Dudley Riggs and his Brave New Workshop, Huge encourages experimentation and focuses more on building strong teams of performers, regardless of form.
"Team first, format second: That's what differentiates us from the coasts," Gebretatose said. "We're better anyway," he added with a laugh.
Ira Brooker is a St. Paul-based freelance writer and editor.
FRISCO, Texas — Cam Miller ran for two touchdowns and threw for two more in his 54th consecutive start as North Dakota State's quarterback, and the Bison won their record 10th Football Championship Subdivision title, beating top-seeded and previously undefeated Montana State 35-32 on Monday night.
North Dakota State (14-2) made the trip from Fargo to Frisco for the 11th time in 14 seasons. Its previous title there was three years ago, in a game that also had Miller and Montana State's Tommy Mellott as the starting quarterbacks.
Miller completed 19 of 22 passes for 199 yards and ran 18 times for 121 yards to win his 45th game (out of 56 starts) and his second national title.
''Cam Miller was the best quarterback on the football field today. There was no doubt about it,'' said first-year NDSU coach Tim Polasek, who was an assistant for the Bison's first two titles in Frisco at the end of the 2011 and 2012 seasons. ''Tommy's a good football player, there's no question about that either. But all year long, these guys have answered the bell with complimentary football.''
Montana native Mellott had a 44-yard touchdown run that got the Bobcats (15-1) within 28-25 early in the fourth quarter. He won the Walter Payton Award this season as the FCS' top offensive player in a close vote over Miller.
Mellott ran for 135 yards on 14 carries and was 13 of 24 passing for 195 yards and two touchdowns. He threw a 19-yarder to Taco Dowler with 1:09 left before an unsuccessful onside kick attempt.
''Our offense was a little bit stagnant there in the first half unfortunately and we came up short because of it,'' Mellott said. ''Guys kept fighting, it's very easy 21-3 to quit ... and we came back out there and we had a group of guys that fought for this team, fought for the seniors.''
The Bison never trailed after Miller capped the game's opening drive that took more than seven minutes with a 2-yard plunge. Miller had an empty backfield behind him on their second possession when he got the snap and sprinted 64 yards untouched up the middle for another touchdown.
''It was a draw play with an option to pass as well ... they played the perfect front and the perfect coverage for it for us. It just parted,'' Miller said. ''It didn't feel real honestly. Usually when we run draws, you've got to make a few guys miss. And there was nobody there.''
Miller threw a 1-yard TD to Bryce Lance right before halftime for a 21-3 lead. Lance's FCS-best 17th TD came one play after a catch near the front pylon when he was ruled out of bounds inside the 1 after a replay review. He is the younger brother of former NDSU quarterback Trey Lance, who made on Sunday made his first start for the Dallas Cowboys before attending the FCS title game.
Bryce Lance, who finished with nine catches for 107 yards, had a diving 38-yard reception on the final play of the third quarter to set up Miller's 1-yard TD pass to Joe Stoffel to restore a 10-point lead.
''The way the game played out, they played better than us and, you know, ultimately put ourselves in a big hole,'' said Montana State coach Brent Vigen, a former NDSU player and assistant coach. ''Obviously this is a low point ... having 15 victories and you can't finish it off."
The takeaway
North Dakota State is still the only team in modern college football to have a 16-0 season, five years ago when it also won the national title. ... The Bison's only title game loss in Frisco was two years ago to South Dakota State.
Montana State has gone 40 years since winning its last national title. The Bobcats have a 21-18 series lead over North Dakota State, but have lost the last six meetings — all in the FCS playoffs since 2010. They lost 35-34 in the second round last season after a blocked extra point in overtime.
Up next
North Dakota State opens the 2025 season at The Citadel on Aug. 30, which will be the first time since midway through the 2021 season that someone other than Miller will start at quarterback for the Bison.
Montana State plays its 2025 opener at Oregon of the Big Ten on Aug. 30. The only previous meeting in that series was in 1947.
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IRA BROOKER
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