
Above: Edward Hopper's "Sultry Day" (1928)
Three Modernist masters have floated into the watery Minnesota Marine Art Museum in Winona.
American painter Edward Hopper's "Sultry Day" (1928), French artist Henri de Toulouse-Lautrec's "The Child with the Dog, son of Madame Marthe and the dog Pamela-Taussat" (1900) and Italian-born, American Futurist painter Joseph Stella's "Study of the Brooklyn Bridge" (1922) are now a part of the collection.
"MMAM is art inspired by water, so all of these paintings first and foremost have waters in them," said Dave Casey, Assistant Curator of Education and Exhibitions. "There were holes in the collection as to what artists were missing. We have a growing selection of American art so the Hopper fits perfectly into there."
The museum declined to comment on the valuation of the works, since this is information that the collecting partners Mary Burrichter and her husband, Bob Kierlin, also owner of Winona-based hardware-supply company Fastenal (valued at $15 billion), keep to themselves.
The Toulouse-Lautrec was purchased from Christie's auction house. This French artist's work fetches very high prices at auction. His painting "Au lit: Le baiser," which portrays a couple in bed, went for $12,485,000, according to christies.com. The Hopper and Stella paintings were acquired from private collections.
Toulousse-Lautrec, a Frenchman who died in 1901 at the young age of 36, is best known for his paintings of the life and times of the rich 19th century Parisian theatrical world, replete with prostitutes, clowns and many other colorful figures. The Toulousse-Lautrec purchased by the museum, which is more subdued and portrays a boy and his dog in front of a lake, becomes a part of the museum's Impressionist and post-Impressionist collections.
Edward Hopper is an American realist painter best known for his portrayals of modern American life, such as the iconic nighttime scene of an almost-empty downtown diner in the 1942 painting "Nighthawks." The Hopper work acquired by MMAM is not urban at all, instead portraying a seaside town that overlooks a bay (filled with water, obviously).