Minnesota Orchestra's next president and CEO is an Iowa native with a collaborative style. Michelle Miller Burns, former chief operating officer for the Dallas Symphony Orchestra, will lead the state's largest performing arts organization starting Sept. 1, the orchestra announced Tuesday.
Members of the search committee that unanimously picked Burns described her as a star executive with a style similar to Kevin Smith, the orchestra's outgoing CEO. Board members, musicians and audiences credit Smith, who's retiring Aug. 31, with mending divisions between musicians and management after a bitter lockout.
"She was the only candidate who had a concertmaster as one of her references," noted Marilyn Carlson Nelson, chair of the orchestra's board. Her background in development "gave us confidence that she could help us in fundraising," she continued. Burns' boss praised her administrative skills. And "the recommendation from the musician gave us confidence that she knew the musicians, worked with them and could be a collaborator with them."
Burns, herself a violinist who played with the Chicago Youth Symphony Orchestra, praised the orchestra's "Minnesota model, with collaborative decisionmaking and leadership structures that really appeal to me," she said by phone Tuesday. "It is so consistent with my own leadership and management style.
"This is really what I want to be doing," Burns added, "and it's where I want to be doing it."
Orchestras face increasing pressure to build revenue, increase diversity and attract younger audiences. Burns' five-year contract with the orchestra means that she will likely lead the organization through a pair of big personnel challenges: The search for the next maestro, as music director Osmo Vänskä's contract expires after the 2021-22 season, and the renewal of the musicians' contract, set to expire in 2020.
At the Dallas Symphony, where Burns is executive vice president for institutional advancement, she also briefly served as interim president and CEO.
During her eight months at the helm, the orchestra finished the 2016-17 season with a balanced budget, "achieved an aggressive annual fund goal and ratified a new three-year contract with the orchestra's musicians," according to an article in the Dallas Morning News.