After helping shape the acoustics at Minnesota's landmark rock venue First Avenue and keeping chaotic tours with the Replacements and Nirvana on track, Monty Lee Wilkes settled into an impressive 30-plus-year career as a sound engineer with artists ranging from Prince and Britney Spears to the Beastie Boys.
The veteran Twin Cities roadie, 54, died Friday after receiving a terminal cancer diagnosis last fall. He had returned to his parents' house two weeks ago in Kettle River, Minn., to undergo hospice care.
A fixture in war-torn biographies on the Replacements and Nirvana — he was tour manager for the latter's pivotal "Nevermind" tour in 1991 — Wilkes made his last appearance behind the sound board at First Avenue in December to helm the 36th annual John Lennon tribute.
"We all wanted to think it wouldn't be his last one, but we knew it would," said Lennon tribute leader Curt "Curtiss A" Almsted, who praised Wilkes for having "good ears and good taste, which isn't the case with a lot of sound men."
"To get jobs ranging from Nirvana to Britney Spears and Engelbert Humperdinck, you really have to be highly regarded at what you do," Almsted said. And he wasn't kidding about Humperdinck; the "Release Me" balladeer was one of the more recent acts to employ Wilkes on tour.
With a rainbow array of Sharpie markers and a briefcase as his tools of the trade, Wilkes' impressively varied résumé also included stints with Soul Asylum, the Suburbs, Babes in Toyland, the Smithereens, Alice in Chains, Joe Strummer, Lisa Marie Presley, Red Kross, Siouxsie & the Banshees, the Go-Gos, the dBs, the B-52's and, another recent one, the Commodores.
Raised in Barnum, Minn., Wilkes became fascinated with sound equipment and the science and art of amplifying rock 'n' roll after attending a Grateful Dead concert around age 12 with his dad, Howard Wilkes.
"The Dead had their giant stacks of equipment, and he just thought that was cool," remembered Howard Wilkes, whose own band, the Leisure Brothers, played around the Duluth area in the 1970s, with a teenage Monty working sound.