MANKATO – "Visceral." "Raw." "Riveting."
A group of emotive Minnesotans uttered these and other reactions Thursday after taking in a powerful production of "Sweat," Lynn Nottage's Pulitzer Prize-winning play about the effects of deindustrialization on the people of Reading, Penn.
The drama, which mostly plays out in a bar where workers at nearby factories gather to chew the fat and drown their fears, had a brief run on Broadway last year. A show like this would ordinarily tour to smartly appointed theaters in big cities, such as the State in Minneapolis.
Instead, "Sweat" played Thursday at the Centenary United Methodist Church in Mankato, with the lights up so that the actors could see everything — the audience and one another. This bare-bones approach, perfected by the Twin Cities company Ten Thousand Things Theater, helped to keep everyone honest and engaged.
The production is part of the Mobile Unit of New York City's Public Theater, where "Hamilton" originated, a company led by Red Wing-born Oskar Eustis. Staged with an edge of danger by award-winning director Kate Whoriskey, "Sweat" is touring to churches, shelters and other nontraditional venues in 18 medium-size cities in battleground states. (It plays in Rochester on Friday and St. Cloud on Saturday before ending the tour this month in Wisconsin.)
The 2016 elections revealed many gaps, including between urban and rural America. Theaters and other arts organizations are trying to repair that breach by taking stories and works to U.S. cities and towns many consider "forgotten" or "neglected." U.S. Poet Laureate Tracy K. Smith, who is published by Twin Cities-based Graywolf Press, has launched a similar project "celebrating poems in rural communities." In Minnesota, the Public has partnered on "Sweat" with the Guthrie Theater, another company pondering ways to serve a larger swath of people.
Twin Cities area resident Frances Wilkinson, a board member of the Public and former board member of the Guthrie, took in the Mankato show.
"Given the tenor of the times, it's become apparent that a large segment of the country has felt excluded from cultural connections," she said. "The reason to do a tour now is to bring stories that relate to their experiences and also open the opportunities to have dialogue. This is the role that theater plays in a democracy."