
I've told this story a million times: when I was young, my father kept me off the streets and saved much needed money buying me the toys I wanted by getting me a library card and teaching me to walk to the Franklin Avenue library, and there began my love of books and stories.
What I've written less about is the books I gravitated towards: books about mythological monsters, Greek gods and heroes, King Arthur and the Knights of the Round Table, Lord of the Rings, my older sister's Elfquest collection and X-men comic books. And the secret of many a nerd of color from the 'hood: my lifelong devotion with role playing games such as Dungeons and Dragons, and Vampire: the Masquerade (making vampire fixations embarrassing long before Stephanie Meyer).
Although I had friends in and out of the neighborhood who were also nerds, it definitely wasn't typical. I remember one of my fellow nerds of color inviting me to a Rifts game in a tough tone of voice as if he was initiating me into a gang, all the while looking around nervously as if his street cred would be in serious jeopardy if anyone overheard him talking about how much SDC a Glitterboy had.
Nowadays of course, being a nerd can mean big money. Everything from Tolkien to comic books to video games is finding its way into mainstream America's fast food blood stream. Along with it seems to be the rebellious streak that goes along with being the kid who gets picked on for knowing how to write in Tolkien's Dwarven – a certain righteousness about being the odd person out, the strange smug martyrdom that comes from knowing that painting miniatures and possessing a dice bag marked you as being a freak and an outsider.
But then how do nerds of color like me fit in, and how do we deal with fellow nerds who don't want to talk about things like race and class in comic books, video games, role playing games, and movies? I'll be the first to admit, I got into all of that stuff for the escapism it allowed. It was invaluable to me, as a refugee from a war growing up in an economically poor urban area, to fantasize that I was someone else, somewhere else. I'd rather be a paladin with a war horse riding to battle a chimera than be the Vietnamese ghetto refugee nerd running from the dudes on my block who tried to jump me on my way to and from CUHCC clinic to get my teeth cleaned.
However, there was a discomfort about some of my own internalized issues. I always chose to ignore the weird feeling I got when I realized that, in my dreams, I was always, literally, a white knight. When I dreamt I was a superhero, I was a white dude with superpowers and the Mary Jane to my Peter Parker was always white. Even though I had a nagging feeling about it, I thought I was justified in my dreams because, hey, none of King Arthur's knights were Asian and therefore my dreams wouldn't be real if I dreamt otherwise. And I never really cared for the Oriental Adventures rule book for Advanced Dungeons and Dragons.
As I got older, I wondered more and more about certain things: like, why Wolverine seemed to have an Asian fetish, why the only Asian men in the nerd worlds seemed to be the bad guys or some servant like Doctor Strange's assistant Wong. I wondered why the only Asians in comic books, movies, and video games seemed to be 'exotic' Asian women. Peter Parker was cool because he always struggled with a day job in addition to being a costumed hero – but many of the other characters like Batman and, er, Iron Fist, were privileged wealthy white dudes who learned martial arts from Asians and whom, of course, thereby became greater at martial arts than the Asians themselves (see also: The Last Samurai, The Forbidden Kingdom, and more recently, Avatar).
I became a fan of the new Battlestar Gallactica and yet wondered how Grace Park's character seemed like a sci-fi stand-in for Miss Saigon, and despite my skepticism stuck with the series through its entire run and watched in horror as the show literally and figuratively dumped almost all of their characters of color out of an airlock by the time the show ended. I dug Firefly a lot, but was annoyed that Whedon predictably relegated Asian culture to a neo-Yellow peril future where the extent of China emerging as a superpower means that people throw in a couple of badly pronounced Mandarin words into their everyday conversations, and despite the idea of this looming Asian culture, there are no actual Asian characters to be seen.