Doris Hines used the four-octave voice that God gave her to spellbind listeners and to push back against intolerance.
Hailed as "The Satin Doll" and "Queen of the Eastern Supper Clubs," the Twin Cities jazz singer shared stages with Duke Ellington, Ella Fitzgerald, Sarah Vaughan, Dinah Washington and Harry Belafonte, among others. She performed at the Ordway, Orpheum and numerous Twin Cities nightspots — as well as in Japan, Australia and throughout the United States.
While Hines' rich-as-caramel voice entranced audiences around the world, it also instilled in her children a passion for art and justice.
Music was the "vanguard for struggles for equality," especially for African-Americans, said her son Gary Hines. Her genres — jazz, blues, jazz and pop — could be used as subtle acts of protest.
Doris Hines died on Aug. 14 of congestive heart failure. She was 91. Her life was studded with hardship and triumph and enriched by luminaries in the jazz world and in literary works of such writers as Maya Angelou, also her friend.
In the mid-1960s, Angelou was passing through Honolulu. She'd heard what Nat King Cole had told Ella Fitzgerald: Do not miss Doris Hines.
Angelou saw Hines perform, and ever since they were "two peas in a pod," Gary Hines said.
Hines was born Nov. 27, 1923, in New York, where her childhood was a revolving door of foster homes. She later raised six children in Yonkers, N.Y., as a single mother before moving to Minneapolis in 1963.