After battling back to solid profitability following several years of losses, Chanhassen Dinner Theatres is striving for something closer to "practically perfect," as Mary Poppins says in its current production.
Last year, the business, one of the Twin Cities' few for-profit theaters, produced its best financial performance in 25 years. Its profit stretched well into six figures, a big contrast to the $200,000 to $500,000 losses it saw for several years after the 2008 downturn.
The turnaround is due as much to work that the company has done offstage as on, employing strategies that work in any business. It diversified its offerings to attract new customers and get old ones to visit more often. It also lowered costs and made better use of its sprawling facilities.
Chanhassen Dinner Theatres turned one of its side theaters into a comedy club and the other into a space for a concert series. A separate space, used as a theater long ago, is now rented out for weddings and other events. And a pub rounds out the complex in the southwest suburb of Chanhassen.
The company also cut the action on its main stage from three productions a year to two, saving about $500,000 in annual spending and creating more flexibility in the length of a show run. Typically, a show runs for six months. At the moment, there's talk that "Mary Poppins," which opened on Feb. 27, will run longer than that.
All those moves boosted revenue by $2.3 million, and diversified the customer base. In the past, productions on the main stage provided nearly all of the company's revenue. Now, it's 80 percent.
By filling the "Chan's" two smaller theaters with comedy and music rather than dinner theater, the company stopped dividing the audience for its musicals.
"Our biggest competition was ourselves," said Michael Brindisi, president and co-owner of the company and its artistic director since 1989.