Citizens in St. Louis had grown used to seeing the grim-faced, rumpled man roaming the streets, looking for work. After abruptly quitting the Army, he had failed at farming and rent-collecting and had lost out on a chance to be county engineer. He was broke. And very nearly broken.
Still, he clung to the fortune he had received from a soothsayer. "Something will happen very soon and then I will begin to rise in the world," he told his wife.
What happened was the Civil War. And only 10 years after selling firewood from a cart to make ends meet, Ulysses Simpson Grant stood at the Capitol, symbol of the nation he was credited with saving, and was sworn in as president of the United States.
That improbable rise is at the heart of Ron Chernow's masterful and often poignant biography, a 1,000-page brick of a book that nevertheless moves quickly — much like its subject in war — and persuasively upends the conventional take on Gen. Grant as a butcher on the battlefield and President Grant as a bumbler in the White House.
Chernow presents Grant as one of the great military strategists in history, outdoing his more storied Confederate foes with his brains as much as his troops, and as a civil rights president who ushered freed blacks into the mainstream of American society before Southern hostility and Northern apathy unraveled the gains made during Reconstruction.
Grant has, in fact, gotten consistently high marks in recent years from a string of historians seeking to revise William McFeely's generally negative portrayal of the general-cum-president in his 1981 Pulitzer Prize-winning book.
But Chernow's take has special cachet, one that might well succeed in cementing Grant's historical fortunes for generations. Not only is Chernow widely considered one of the best nonfiction writers at work today, but his acclaimed "Alexander Hamilton" was the inspiration for Lin-Manuel Miranda's hot musical, marking him as the rare biographer who is well-known to the general public.
Grant's story might be tougher to put to music. While Hamilton was famously colorful, Grant was Sphinx-like, modest in his Methodist way, not given to big gestures and often hard for even close associates to fathom. Short, slight and painfully reserved, he was easy to overlook and often was.