There was Sting, rock's Renaissance man, seated on a chair, acoustic guitar in hand, lyrics on a tablet on a music stand, at the sparsely filled Ordway Concert Hall on Sunday evening.
Playing to his smallest Twin Cities audience since his local debut with the Police 40 years ago at the long-gone Longhorn rock club, Sting came to share the story and songs of "The Last Ship," his 2014 Broadway bust that's coming to the Ordway in April — with Sting in a starring role.
Only 150 people — he chose the limit — including Ordway donors and media got to experience Sting as storyteller, historian, composer, activist, social commentator, singer, thespian and, now, pitchman.
"The Last Ship" is not a musical, he told the invitation-only gathering, but a play with songs.
"It's fun even though it's serious," said the ever-charming Sting, who's invariably serious, though he has a self-deprecating wit. "And it has some damn good songs."
"The Last Ship" tells the story of the demise of the shipbuilding industry in the 1980s in Sting's hometown of Wallsend, England. Characters in the play are based on people he knew growing up, he explained.
Then, accompanied by his own guitar and Rob Mathes' piano, the Rock Hall of Famer proceeded to sing a handful of songs — some in a theatrical manner, some in a straightforward style familiar to anyone who's heard "Fragile," "Englishman in New York" or any of his many hits.
When he essayed a number rendered by a female character, his delivery sounded more like that of a sailor rather than the woman the seaman spurned. But that didn't diminish the impact of Sting's words and music.