We are making final decisions on a list of 40 essential works of fiction. The list is a season's greeting. These are the kinds of projects professors pursue when they can't face grading exams or working on a law review article.
Designating a "canon" of great works is a daring enterprise in an academic environment that insists on safe spaces. But since we reject the predictably banal objections, we are not deterred.
Some books are simply better than others; some books stand out even among those that are extraordinary. Although there is room for reasonable disagreement here, there are objective tests for greatness — durability and influence being two of them.
We would include "The Brothers Karamazov" in any list of 40; we disagree about whether to include "The Possessed"; we would not include "Brideshead Revisited," fine though it is.
Our mission, as unapologetic teachers, is to pass on the traditions we ourselves received during our educations, ideally in renewed and reinvigorated form. A true teacher declares with urgency and fervor that these are the things you really need to read — carefully and repeatedly. Trapped between Eliot's "Waste Land" and Yeats' "Second Coming," though, we wonder whether there is even one book that all students read before they arrive at our law schools. Include the Bible if you like.
Some time ago, Stanford, like many other elite universities, gave up a required course in Western Civilization. Somehow the combination of Western and Civilization was deemed offensive, hurtful and wrong. Thus, very few students are taught how much the classical canon was kept alive in Arab translations during centuries when Muslims were more advanced than Christians.
And Great Books courses have gone the way of Western Civilization courses. Graduates from elite universities, knowing little of their own civilization and culture — and still less of foreign ones — then go on to teach in elementary and high schools. There, the talk is of personal feelings and points of view, and students are encouraged to compose in free verse before they learn the basics of grammar and sentence structure.
Rarely do the words honor, virtue and nobility enter the conversation. Buried under the layers of academic drivel is the struggle of Prince Andrei in "War and Peace" to define those terms — and to live up to them.