There are no words to describe the best Twin Cities play of 2017

Favorites range from brand-new work to timeless classics.

January 26, 2018 at 4:45AM
Nathan Keepers, Heidi Bakke, Steven Epp and Masanari Kawahara in "Speechless" by the Moving Company.
Nathan Keepers, Heidi Bakke, Steven Epp and Masanari Kawahara in "Speechless" by the Moving Company. (The Minnesota Star Tribune)

1. "Speechless," the Moving Company: More than any play I saw in 2017, this graceful, surprising and wordless cry from the heart hit at a purely emotional level. I know I'll be seeing it again when it returns to the Lab next spring.

2. "The Red Shoes," Open Eye Figure Theatre: Its run was extended, but Open Eye's tiny space could accommodate only so many people for this thrilling, witty blend of comedy and noir, featuring Kimberly Richardson's tour-de-force performance in multiple roles, including a woman menaced in her dank apartment. Good news for those who missed it: "Red Shoes" will return next fall.

3. "Sunday in the Park With George," Guthrie Theater: The thrust stage required director Joseph Haj to take an unconventional approach to the Stephen Sondheim/James Lapine musical about (not) balancing art and life, and it worked beautifully. So did Erin Mackey's peerless acting in two feisty roles.

4. "The Nether," Jungle Theater: The folks who bailed on the performance I attended missed a provocative play whose ideas about abuse, privacy and revenge are still banging around inside my brain.

5. "Wit," Artistry: It was a good year for Sally Wingert fans. This powerful drama — in which she was an academic facing cancer with open eyes, assisted by Cristina Florencia Castro as a compassionate nurse — was the pinnacle.

6. "Fiddler on the Roof," Ten Thousand Things: A gifted ensemble and a pared-down aesthetic helped the musical about choosing love feel utterly timeless.

7. "Battlefield," Guthrie Theater: The touring production made inventive use of four shape-shifting actors in an epic tale of war's futility, one that begins with the line, "This victory is a defeat."

8. "West Side Story," Ordway Center: Packing the stage with dozens of energetic singer/dancer/actors to tackle Leonard Bernstein and Stephen Sondheim's landmark musical? As Sondheim's lyric says, "OK by me."

9. "How the Grinch Stole Christmas," Children's Theatre Company: CTC did right by Dr. Seuss' masterpiece, led by the acting duo of Reed Sigmund as the Grinch and Mabel Weismann as Cindy-Lou Who.

10. "Charles Francis Chan Jr.'s Exotic Oriental Journey," Theater Mu: It's a messy, jam-packed play, and I loved the way Mu's cinematic production embraced the messiness instead of trying to hide it.

612-673-4367 • @HewittStrib


about the writer

about the writer

Chris Hewitt

Critic / Editor

Interim books editor Chris Hewitt previously worked at the Pioneer Press in St. Paul, where he wrote about movies and theater.

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