"Timbuktu," the Oscar-nominated film about the 2012-13 takeover of the Malian city by Islamic fundamentalists, will be shown April 4 at the Walker Art Center. Director Abderrahmane Sissako, whom the Walker calls "Africa's visual poet," will participate in a post-screening dialogue.
Moderator Charles Sugnet, a University of Minnesota associate professor of English, and African cinema expert, has numerous questions for Sissako, among them: "Can a film be too beautiful to fulfill its purpose?"
It's an apt ask, considering the film's stunning cinematography. But the ugly extremism is not eclipsed, and may even be highlighted against the film's vivid colors and characters. Its "purpose," Sugnet suggests, was Sissako's desire to rapidly reflect the effect of extremism. It was "almost an emergency project," Sugnet said.
It is not known whether the well-received movie will change public perceptions about U.S. policy toward Africa, the subject of this month's Minnesota International Center's Great Decisions dialogue. For many, the continent's conflicts and cultures are like the metaphorical Timbuktu — remote. "Timbuktu" has had limited impact in Africa, not because it isn't a compelling representation of what societies face under fundamentalism, but because "Africans are the last to see African films," said Sugnet.
But other avenues such as news reports and social media have had an immediate effect on perceptions of extremism's impact.
Some stories even have local ties, like the recent New York Times story, "From Minneapolis to ISIS: An American's Path to Jihad," which chronicled Abdi Nur's "chilling progression from the basketball courts of south Minneapolis to the battlefields of Syria."
More globally, social media has played a role in the rise of and response to Boko Haram, the nihilist Nigerian group that infamously kidnapped hundreds of schoolgirls nearly a year ago. This atrocity pierced public consciousness worldwide and spurred First Lady Michelle Obama and scores more to tweet #bringbackourgirls. But Boko Haram didn't; just this week the Washington Post reported that the terrorists took 506 young women and children to use as soldiers, wives, bargaining chips and even suicide bombers.
A less noted social media dynamic occurred in January, according to J. Peter Pham, director of the Africa Center at the Atlantic Council. Around that time, Boko Haram's social media sophistication spiked. The reason? The influence of the Islamic State of Iraq and the Levant (ISIL), to which Boko Haram pledged allegiance this month.