Most charitable foundations are designed to be around forever. Twin Cities-based Robina Foundation has an unusual guiding principle for its money: Spend it all.
Spend all $165 million of it on innovative, new programs that promote human rights, nurture a creative spark in writers and artists, and revolutionize health care for people with chronic illness.
The unusual limited-life philanthropy, started in 2004 by former Honeywell President and Board Chairman James H. Binger, could be out of business by decade's end on explicit orders from the late Binger himself. Its work and the life-changing results are showing up on a national stage, at the U.S. Supreme Court, on Broadway and in the pages of national medical journals.
"He wanted to make inspired, transformative gifts," said Kathleen Blatz, former Minnesota Supreme Court Chief Justice who serves as chairwoman of the Robina Foundation's board of directors. "It's so outside of the box from typical philanthropy. I am so amazed by Jim's vision that created this model."
Per Binger's instructions, nearly all Robina dollars should be spent in two decades and go to four institutions close to his heart: Abbott Northwestern Hospital in Minneapolis and its parent nonprofit Allina Health; University of Minnesota Law School; Yale University, and the Council on Foreign Relations based in New York City.
Those investments are already showing up in innovative programs in Minnesota.
Allina Health sends "care guides" to visit hundreds of patients each month as part of a program that's keeping people out of the emergency room and the intensive-care unit. A new center at the University Minnesota Law School is assisting immigrants, refugees and asylum-seekers. At the Guthrie Theater, crews are preparing for the opening this month of "Indecent," a play nurtured at the Binger Center for New Theatre at Yale and performed on Broadway.
The Guthrie describes "Indecent" by Paula Vogel, a play about the controversial 1923 Broadway debut of Sholem Asch's "God of Vengeance," as shedding light on "one of the most fascinating scandals in theater history."