Minneapolis might not be a dance-music mecca like London or Berlin. But the dance-floor faithful here in flyover land long have known something their across-the-pond peers are just discovering: DVS1 is one heckuva DJ.
Since the mid-'90s, DVS1 has been a bastion of Twin Cities techno, testing the limits of local sound systems with brooding bass lines and soul-quaking galumphs. But over the past three-plus years, the real life Zak Khutoretsky has gone global. Deals with subterranean German sensation Ben Klock and Detroit legend Derrick May, each of whom released his music on their respective labels, helped earn the Minnesota mix maven international attention and steady club gigs across Europe. He says he's booked through November, and 90 percent of his gigs are overseas.
"The flying, the traveling, all that is definitely starting to wear [me] down," the turntable talent said. "But you get there, especially when it's a good gig, you get up and you start to play and you forget about all the bad."
After cracking respected online electronic-music magazine Resident Advisor's top DJs of 2011 list (the underground answer to DJ Mag's more mainstream ranking), Khutoretsky leaped 40 spots in last year's fan poll, to No. 58.
His most infamous gigs have been grueling eight- to 12-hour sets at Berlin's fabled Berghain club, where he says he's an unofficial resident. While admitting those marathons can be physically challenging, Khutoretsky says eventually he stops thinking and his DJ chops take over.
"You're connected with these people," he said. "You're watching the lights, the atmosphere, the surroundings. You're not even conscious of it, but you're guiding it."
Khutoretsky, who was born in Russia and grew up in Hopkins, splits his time between Minneapolis and Berlin. A year and a half ago he snagged an apartment in Berlin to cut down on hotel hunting and hitting up friends for couch space.
They may love him in Europe, but Khutoretsky, 36, is less well known at home. His club dates here are infrequent, as the minimal maestro typically plays underground all-night parties for a devout, in-the-know audience. Khutoretsky laments America's (and more specifically Minnesota's) early-closing club culture, arguing it cultivates DJs who play mostly massive, flashy tracks with little mood differentiation.