If the past two weeks are any indication, the Guthrie Theater's Dowling Studio will be a happening, inclusive scene this season.
Last weekend, famed monologuist Mike Daisey performed "The Trump Card," his provocative solo show that has been spurring conversations around the state of civil discourse and our democracy itself.
This weekend, the theater opens "Home Street Home Minneapolis," a partnership with zAmya Theater Project that features performers who have experienced homelessness. The 70-minute show, which includes a lot of music, orbits themes drawn from the experiences of the production's 15-member cast.
Both shows — one a "happening" programmed on short notice to address current events, the other a partnership with a Twin Cities theater troupe — are part of artistic director Joseph Haj's Level Nine Initiative, aimed at making the ninth-floor studio live up to its promise both as a font of theatrical experimentation and a community gathering space, with $9 tickets for all shows.
Haj's vision is underwritten by a $1 million multiyear grant from the Mellon Foundation. The schedule includes Jeanne Sakata's "Hold These Truths," a solo show about a Japanese-American man's deep patriotism in the face of institutional prejudice (Oct. 7-23), as well as collaborations with Transatlantic Love Affair and the Telling Project. Other events will be programmed later.
The Guthrie's 9th floor is like an agora — the Greek word for a civic assembly space that also is the site of performances, said Haj.
"Everything we've selected — every piece in there — invites meaningful community conversations," Haj said. "And the lessons that we learn up there will ripple throughout the building and into the community."
"Home Street Home" is actually returning to the Guthrie. The show had a one-off performance there last year before the invitation to come back.