Yes, bad things happened in Minnesota music in 2018. Venues closed. People died. Equipment was stolen. One musician was shot right outside a popular club. There was even the strange case of an ill-informed but well intentioned heavy-metal tribute band wearing blackface at the State Fair grandstand, like a bad scene out of 1918.
We gotta stay positive, though. At least on the music front.
1. We gained more venues than we lost: The new music room at Mortimer's was off and running from Day 1 in 2018, and by year's end had fostered City Pages' Picked to Click-winning band Gully Boys, Murf and many more. Moon Palace Books also gave a lot of none-of-the-above acts a new home with its new performance space, while jill-of-all-trades Molly Maher brought cool things to Como Lakeside Pavilion and Wayzata's Ninetwentyfive. And let's not forget the rebirth of the Parkway and Varsity theaters, the latter returning as-is (as in: one of the best music rooms in town).
2. Best "Best New Bands" ever?: Always offering a good pulse of what's going on in the scene, last January's annual Best New Bands showcase at First Avenue was tick-tick-ticking with high energy, from show-stealers the Bad Man's spazzy breakout set to Lady Lark's deep throwback grooves, and Dwynell Roland's slow-building eruption to ultra-buzzing RCA recording artist Thomas Abban's work-in-progress tryout with his new live band. Oh, and one more healthy sign: The next BNB showcase (Jan. 4) looks equally eclectic and promising.
3. The home team Bowled 'em over: While out-of-town stars such as Travis Scott and Cardi B conned fans into paying $150-$500 for bogus party "appearances" during Super Bowl mania in Minneapolis, Minnesota's homegrown talent offered some of the best performances of the week — for free, and mostly in single-digit weather! Mint Condition, Dessa, the Revolution, Soul Asylum, Morris Day & the Time, the Jayhawks, Brother Ali, Prof and the Suburbs impressively soldiered through the cold for the Super Bowl Live concert series on Nicollet Mall, one of the all-time greatest lineups of Minnesota talent ever assembled.
4. Dessa's Outlook calendar: Her Super Bowl gig was just the start of a manic, marquee year for the Doomtree rapper, who: a) dropped her best album yet in April, b) toured the world with a new band during spring and summer, c) sang the anthem at the Twins' home opener and the WNBA All-Star Game, 4) published a memoir in September that's newly listed among NPR's Best Books of 2018, and e) collaborated again with the Minnesota Orchestra in October. Somebody buy that woman a drink! Oh wait, she: f) also started her own whiskey brand this year. So she's good.
5. Your turn, Red Wing and Winona: After enjoying Duluth's Homegrown Fest in prior years, I had the good fortune to take in both Red Wing's new Big Turn Music Fest in February and Winona's long-building Mid West Music Fest in May, each a weekend-long takeover of various bars, stores and American Legion halls willing to host bands from around the region. What a blast, but also what an eye-opener to both the local talent — and the enthusiasm for said talent — in these towns.
6. Soundset rules: Local acts took something of a back seat in the giant hip-hop fest's 11th installment in May; even Atmosphere relegated themselves to the smaller Fifth Element stage. But it's a testament to the scene created by Rhymesayers and other longtime Soundset participants that the world's biggest all-hip-hop fest takes place here, one viable enough to meet the high (no pun) demands for staging a thrilling Wu-Tang Clan reunion and rare Erykah Badu set, but also a fest still humble enough to not put up with ego trips from co-headliners Migos, who had their sound cut off mid-performance after being unnecessarily tardy. Welcome to Minnesota, amigos. We take this stuff seriously.
7. First Avenue's buying spree: Just a year after helming the Palace Theatre's rebirth and five years since buying the Turf Club, our rock star of a local rock club went and bought both the Fine Line and Fitzgerald Theater this year. Whatever this means for the future — cries of a local concert monopoly still seem very far-fetched when competitor Live Nation owns 130-plus venues — it at least shows that the club's long history of supporting local and independent bands has paid off.