When Mark Valdez began his tenure as the new artistic director of Mixed Blood Theatre in June 2022, he wanted to find a way to get to know the Twin Cities. He had moved from California, and was joining a theater company in Minneapolis with a 46-year history.
"I knew that I needed to meet artists, and I knew I needed to get to know and build relationships with neighborhoods and communities," he said.
So Valdez came up with an ambitious five-month performance series called "12 x 12" that would help people to learn about their cities and neighborhoods. With the help of the Mixed Blood staff and board members, he selected 12 artists and 12 neighborhoods to create pop-up performance projects all over the metro area.
"We've been using the tagline, 'Twin Cities, meet yourself.' I think we've been able to do that," he said.

At its heart, "12 x 12" is about taking the shows to communities, asking residents for their stories and what they care about, and creating projects for and with those people. It kicked off in April in Minneapolis' Powderhorn Park with multimedia artist Alison Bergblom Johnson, who explored disability, identity and joy.
Composer Reinaldo Moya created a musical piece with Edison High School students and writer/composer Natalie Nowytski and performed it during Art-A-Whirl in northeast Minneapolis. On St. Paul's West Side, a team led by theater artist Ernest Briggs showcased that neighborhood's history and path to the future.
Other projects ranged from tattoo and digital artist Bryce Burton creating a new visual art piece based on stories from the trans community around body modification and reclamation in Loring Park, to chef Yia Vang offering a demonstration in Brooklyn Center that explored the immigrant experience.
The synchronized swimming group Subversive Sirens performed at Minneapolis' Phillips Community Center pool, and St. Paul-based ensemble Brownbody presented a dance/movement piece that explored experiences of young people of color for the Woodbury Days festival. In the Cedar-Riverside neighborhood of Minneapolis, theater and visual artist Ifrah Mansour meditated on healing within a traditional Somali hut.