Bucking trends in the field, Theater Latté Da has roared back from the pandemic with a slew of sold-out hits, including a clarifying revival of Stephen Sondheim's "Merrily We Roll Along," the arresting premiere of the musical adaptation of "Twelve Angry Men," and a joy-filled mounting of "Hello, Dolly!"
The company, which recently celebrated its 25th year, hopes to continue that streak with the world premiere of "We Shall Someday" by composer Ted Shen and book writer Harrison David Rivers. The musical, about a Black family grappling with violence and inequality across three generations, opens Saturday at Minneapolis' Ritz Theater.
"Fundamentally, this is a [show] about what gets passed down from generation to generation," said director and choreographer Kelli Foster Warder. "Police violence is one of the things mentioned in it but there are lots of other things about this family that are covered in a delightful and funny way."
Foster Warder directed and choreographed "Dolly" with a fresh lens and a cast of 11. "Someday" has a much smaller cast, but its three people dig deeply into their hearts, she said.
The musical tells the story of struggle and overcoming for the Tates. In 1961, grandfather Julius leaves his job as a short order cook at a diner in Arkansas to seek justice and equality as a Freedom Rider. The story then jumps to 1988 when his daughter, Ruby, grapples with brutality against her 15-year-old son, Jay. And the last act is set in 1992 when Jay, a college sophomore, gets shaken up by the Rodney King beating.
How "Someday" came to be highlights the niche that Latté Da has carved out as a developer of musical theater in the nation. On a 2019 trip to see shows in New York, associate artistic director Elissa Adams took in a chamber piece called "Broadbend, Arkansas." She was first interested in it because Rivers, who is an unofficial playwright-in-residence at Latté Da, had written the book.
Adams was struck by the use of musical monologues and the way the material tracked the family through three generations.
"That formal adventurousness made me think that would be great fit for us," Adams said.