Anyone driving in the Twin Cities has seen them standing by the freeway ramps, clutching their hand-lettered cardboard signs. Men mostly, but a few women, too, stand for long hours, hunched now against the bitter winds. Emotionless and stoic, they offer their lined faces and battered lives to the casual scrutiny of strangers in warm cars. "HOMELESS please help if U can. Thank U -n- God bless."
"STRANDED homeless ... "
"TOTAL DESPERATION"
The messages are simple, direct, familiar and easy to ignore. Just hang up your conscience, toss out some coins and drive on.
Now, three Minneapolis artists -- portrait painter Kristie Bretzke, watercolorist Pat Bratnober Saunders and documentary photographer Michael J. Allen -- have broken that defensive habit and put their time and talent to work for the benefit of Minnesota's homeless.
PORTRAITS Bretzke, whose portraits of homeless individuals are at Premier Gallery in downtown Minneapolis through December, became interested in the homeless after moving from south Minneapolis to an apartment near Loring Park about 18 months ago. Homeless people, who often sleep under the nearby freeway overpasses, would make their signs on cardboard from her apartment's recycling bins. Intrigued, she overcame her own nervousness, introduced herself to one of the men and asked to take his photo for a portrait.
Buoyed by his enthusiasm and friendliness, she became comfortable asking others to pose and soon had a studio full of street-people portraits. Then, with the assistance of the gallery and Lutheran Social Service staff, she met what she calls the "hidden, or invisible homeless." These are the families, children and teens who hold jobs and go to school, but still have no place to live. They, too, became her subjects.
Bretzke's show includes 27 paintings of homeless individuals whose faces mirror contemporary America: beautiful and plain, worried and dreamy, old and young, men and women, white and black and other races. She depicts them with a sympathetic dignity and care that reinforces the recognition that theirs are the faces we all see in the mirror each morning.