A box full of salad greens, tomatoes and more celeriac than the average household could ever eat -- these are the bounties people normally associate with farm shares or CSAs (community-supported agriculture programs). In exchange for an annual fee, a CSA membership keeps the kitchen stocked with fruits and vegetables from small, independent farms.
CSAs are so popular they're now offered for all sorts of homespun products, from artisan cheeses to organic beers. Here in the Twin Cities, a pair of nonprofits recently launched an entirely new genre of CSA -- the kind that keeps households supplied with local art.
"We pretty much stole the idea," said Betsy McDermott-Altheimer, associate director at Springboard for the Arts, an organization that helps local artists manage the business side of their work. The idea had been stirring in her head for years.
"I used to work for a cheese shop in Virginia," she explained. "I was just floored when farmers would bring the cheese into the shop, in a cooler, with straw in their hair." When she took a job at Springboard in 2009, she started wondering how to cultivate similar connections between artists and collectors.
Another inspiration was Berkeley, Calif.-based chef Alice Waters and the "locavore" movement she helped spawn. "Local, simple food -- it's not something you have to move to France to experience," said McDermott-Altheimer. Likewise, people needn't buy paintings from New York galleries to be bona fide collectors.
In the case of the art CSA, they don't need thousands of dollars, either. Shareholders get nine artful objects for $300.
"For a young professional on a budget, it's a great thing," said Richfield resident Nick Zimet. An arts lover and acupuncturist, he participated in the first-ever art CSA, launched in April 2010. Zimet hasn't managed to display everything he acquired -- "I have a huge backlog of things that need to be framed," he admitted. This doesn't stop him from flaunting his stash of CSA art.
In particular, he loves a 12-by-12-inch stained glass panel by rural Minnesota artist Karl Unnasch. His wife, Liz Sanborn, favors two ceramic mugs by Minneapolis-based Maren Kloppmann and a hand-painted print by another Minneapolis artist, Amy Rice.