Pop artist Claes Oldenburg, co-creator of the iconic Twin Cities fountain sculpture "Spoonbridge and Cherry," died at his home in Manhattan on Monday.
Oldenburg had fallen and broken his hip a month ago and had been in poor health ever since. He was 93.
The Swedish-born American artist was raised in Chicago and moved to New York in 1956. The giant spoon and crimson red cherry of "Spoonbridge and Cherry" has been known as the literal "topper" of the Minneapolis Sculpture Garden since its grand opening in 1988. Designed by Oldenburg and his wife, Coosje van Bruggen, the piece is simply a 1,200-pound stainless steel cherry atop a gigantic silver spoon; water spouts from the cherry's stem, sprinkling into a small, asymmetrical pond.
Art collector Frederick R. Weisman funded the work through a $500,000 donation. Oldenburg and van Bruggen received the commission in 1985 from former Walker Art Center director Martin Friedman; it was the first piece commissioned for the garden.
The pop art sculpture uses images from everyday life for inspiration. In Oldenburg's famous art declaration "I Am For," written in 1961, he explains that he believes in art that "is political-erotical-mystical, that does something other than sit on its ass in a museum."
The idea for the spoon came from a visit to the General Mills corporate campus after he saw Betty Crocker spoons. Van Bruggen put the "cherry on top" as the sculpture's final touch.
Oldenburg has had three major exhibitions at the Walker Art Center, in 1975, 1992 and 2013. There are 300 Oldenburg works in the Walker's collection, and the art center also hosted his first U.S. solo exhibition.
"He had this kind of uncommon ability to make the ordinary remarkable — to breathe new life into things that we thought we knew, but we could see in a new way because he was so brilliant at changing objects through their scale or through the materials," said Walker curator Siri Engberg, who had known Oldenburg for 30 years and curated the 1992 exhibition.