Dyani White Hawk
This year, the MacArthur Foundation declared what Minnesota art fans have long known: Dyani White Hawk is a genius.
That's the label that will be forever affixed to the Sičáŋǧu Lakota artist since she and 19 others were awarded MacArthur fellowships, known as the "genius grant," in 2023.
And frankly, it fits. White Hawk's most striking, shimmering pieces, made with thousands of bugle beads, honor and elevate Lakota art forms. Their geometric designs, infused with symbolism, spotlight the influence Indigenous aesthetics have had on Western abstraction. They're beautiful, too.
This year, those works popped up in publications and art galleries nationwide. In February, W Magazine highlighted White Hawk, who has a Minneapolis studio and a Shakopee home, in a lengthy feature on Native artists "Doing It Their Way." In March, Elle declared: "Dyani White Hawk Is Rewriting Art History."
Then, in news that made the New York Times, the Whitney Museum of American Art picked White Hawk to create one of two new public artworks for its restaurant reboot. The resulting ceramic tile piece, "Nourish," spans more than 30 feet, her largest work to date.
In November, White Hawk opened her first exhibition in Los Angeles, titled "Reflection," still on view at Various Small Fires. It features nine new beautifully detailed paintings and a video installation with eight Indigenous women speaking their languages. ARTnews included her works at Frieze Los Angeles, a precursor to that solo show, among its best booths.
Then there were at least 10 group shows, too. And the Walker Art Center announced that in 2025 it will exhibit White Hawk's first career survey.
Just as she's challenging art history's long-held ideas, she might be shifting how we think about the lone genius. Upon winning the prestigious $800,000 MacArthur grant, she honored a wide web of people, past and present, including the many friends and family members who help her bead her canvases.