The word "queer" has evolved from a once-derogatory term to one that's been reclaimed, repurposed and continually re-examined.
A new book provides a fresh perspective on this evolution. "The Letter Formally Known as Q: Voices From Minnesota's Queer Immigrant Community" offers an in-depth picture of five Minnesotans through extensive conversation and vivid portraits.
The five people hail from different places — Cameroon, India, Mexico, Puerto Rico and Kenya — and they define queerness in individual ways. At the same time, their stories overlap significantly in themes of home, belonging and safety, and something even broader.
"I really wanted people to interrogate borders," said the book's author, N. Musinguzi, a documentary photographer, visual artist and storyteller whose father is from Uganda and mother is a London-born Liberian. "The core theme is borders. Not boundaries — we need them — but borders.
"We don't need 'em, right? And all the borders that exist in all the formats that constrict our ways of thinking, knowing, being."
The book, published by Minneapolis indie press Wise Ink, feels like listening in on conversations between close friends or people who are in community — far more personal and in-depth than a standard Q&A.
"When I said I wanted to document stories from the Black diaspora, Black queer immigrant folks, someone asked me: 'Isn't that limited? Are there any queer Africans you know besides yourself?' " said Musinguzi, who is nonbinary/trans.
Born in New York, the photographer moved to Minneapolis in 2014 to be an artist-in-residence at Youthprise, a program that aims to increase equity for indigenous, low-income and racially diverse youth. Musinguzi knew that fellows of their community were everywhere.