For years it was one of the special places in Minneapolis, a piece of modernism to show off to our out-of-town guests, a park to seek solace amid the sound of crashing water or the backdrop of musical magic. Then Peavey Plaza began to crumble and die, and fixing it promised the inevitable collision of two issues — preservation and accessibility.
The first instinct of the city, Teardownapolis, was to blow up the plaza and start over, creating something new and gleaming and, as modern laws demand, accessible to everyone. Bad idea. Preservationists got Peavey on the National Register of Historic Places and sued to stop demolition. They won.
It has been five long years, but the city is now midway through the design phase of the renovation, working with its representatives as well as disability and preservation activists and just about everybody who has skin in the game. The second public meeting to discuss the plaza is Wednesday during Council Member Lisa Goodman's "Lunch with Lisa" gathering.
"What I'm hearing from my constituents is people want to see change," said Goodman. "Not change for the sake of change, but to make a space for everyone."
Those involved are channeling the ghost of landscape architect M. Paul Friedberg, who built Peavey in 1975, to raise the "marvel of modernism" from the dead.
"I think there's a lot of reason for optimism," said Erin Hanafin Berg, of the Preservation Alliance of Minnesota, a plaintiff in the lawsuit to stop demolition. "What we appreciate now is the city has gone through the process of understanding the site."
Robin Ganser, a landscape architect with Coen+Partners, said the Peavey project brings unique challenges. They are trying to preserve the original vision of the plaza while increasing safety and visibility, bringing the infrastructure up to current standards and making it inviting to everyone.
"These are all competing interests," said Ganser. "Our job is to find a place of commonality. We have to put ourselves in Friedberg's eyes and ask, 'If he were alive today, how would he do it?' This is a rehabilitation project; it's not preserving everything in a time capsule, it's finding a feel" for the original design.