Somewhere out there, there's a version of Charles Dickens' "A Christmas Carol" where clerk Bob Cratchit takes an ax to his employer, Scrooge, steals his cashbox and escapes to the Bahamas without his family. The story has been reinterpreted time and time again in stage, screen, animation, book and probably ancient Greek.
Now Batman (aka the Dark Knight) meets Charles Dickens in "Batman: Noel," a graphic novel by artist Lee Bermejo (DC, $23). (For those who read comics only irregularly, a graphic novel is a glossy-papered comic published as a book, dust cover and all.)
The original story penned in 1843 by Charles Dickens was a hit. The story of a stingy old miser who is visited by three ghosts who change his ways, making him into a generous open-handed philanthropist, is a Christmastime staple.
In "Batman: Noel," Batman -- who also is multimillionaire philanthropist Bruce Wayne -- is a grim, menacing character. He terrifies Bob Cratchit when he first meets him doing an odd job as a courier for Batman's blood enemy, the Joker. Batman's take on Cratchit is that he is little better than vermin. Batman releases him as bait despite the fact that Cratchit will probably die when the Joker arrives.
So the question arises: Has Batman lost his humanity, as Scrooge did? Here, the good guy seems as evil as the bad guy.
Back in the Batcave, a lonely Batman broods over his dismal life and his dead friends. He watches, via secret camera, the Cratchit abode, waiting for the Joker to arrive. He hacks, gags and sniffs as a cold takes over.
Is it the cold medicine that makes him see his deceased partner, Robin, who announces that Batman will be visited by three ghosts?
And we're off, to his past -- the fun part of his crime-fighting life with the appearance of a nubile and leather-clad Catwoman; his present -- his friend, Superman, making an appearance; and his possible future -- death at the hands of the Joker and oblivion of his existence. No one cries about the death of Bruce Wayne or Batman.