Tastes change. It's entirely possible that some future account of the lost architecture of downtown Minneapolis will mourn the loss of the Wells Fargo Operations Center (255 2nd Av. S.). Its plain blue glass facade might be hailed as a work of pure abstraction, challenging the world with its own reflection.
But probably not.
When it's torn down for the Harmonia housing, office and retail development, it's likely that no one will show up and wipe away a tear. It was praised when it was built in 1979, perhaps because downtown needed a boost, and this four-story diagonal nonentity was better than a parking lot. Still, why would anyone get excited over a refugee from a suburban office park?
Blame the IDS, perhaps.
Before the beloved 55-story tower went up in 1972, downtown was mostly stone and brick, with some dreary examples of postwar modernism.
The most interesting building was the First National Bank, now the Canadian Pacific Plaza building (120 S. 6th St.), a crisp iteration of the corporate style popular in New York and other big cities. The rest of the crop was emotionally stunted: the drab River Towers condos near Hennepin and Washington avenues, the blocky boredom of the demolished Sheraton-Ritz Hotel. The Northwestern National Life Insurance building (now Voya Financial 20 Washington) has some classical swank, but it's the exception.
The IDS wasn't just impressive for its height, but its cladding: seemingly uninterrupted glass. It was the epitome of the skyscraper. The serrated corners cinched the building as it rose, and the dark cap seemed to terminate it at the best possible height. From one angle, it was thin and graceful, from another, broad and strong.
But Minneapolis wasn't the only city having a big mirrored-glass skyscraper. Everyone got one. For a while blue mirrored glass was all the rage. But different hues were experimented with. In Bloomington, the Control Data Corp. building was clad in a coppery-red hue that still looks impressive, particularly when ignited by a summer sunset. In Pittsburgh, Philip Johnson designed the PPG Place with Gothic elements expressed in brown glass.