Grammy moment opens the door for a flood of Prince music

His music will be more readily available online after televised tribute.

February 11, 2017 at 4:23AM
In an undated handout photo, Prince performs in Birmingham, England.
(Npg Records — New York Times/The Minnesota Star Tribune)

Facing Sunday's televised tribute to Prince at the Grammy Awards and the approaching anniversary of his death April 21, the handlers of his estate worked fast to settle some of the biggest business matters surrounding his music this week.

On Friday, the Universal Music Group announced a multiyear agreement to license all of his recordings that are not already committed to Warner Bros. Records. And trade publications confirmed rumors that Prince's best-known albums and songs finally will become widely available Sunday on streaming services including Spotify, Apple Music and Napster. Previously, they could only be streamed through Tidal, Jay Z's service.

The Universal deal essentially makes the parent company of such record labels as Interscope and Def Jam the curator and seller of a significant portion of his unreleased recordings, including most of the contents of his fabled vault at Paisley Park.

Universal also will have the rights to albums Prince released after his Warner Bros. heyday, such as "Emancipation," "Musicology" and "The Rainbow Children." What's more, the company will oversee Prince's publishing (songwriting) rights and merchandising, likely the two most lucrative parts of his estate.

Before his death, Prince negotiated a new recording deal with his old label, Warner Bros., which will likely include reissues of his most famous albums, including "Purple Rain," "1999" and "Sign o' the Times."

According to the trade magazine Billboard, these deals were overseen by veteran music executive Charles Koppelman and Prince's one-time attorney L. Londell McMillan. The latter's involvement in the estate was questioned in court by two of Prince's siblings last month. Exact terms and dollar figures for the deals were not divulged.

"What I am most thrilled about," McMillan told Billboard, "is taking this great body of work and working with the family and others in the industry to determine how it will be reintroduced to generation Y and Z and continue that legacy."

Chris Riemenschneider • 612-673-4658

@ChrisRstrib

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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