Like the blues music from which it's heavily derived, hip-hop music was born 50 years ago out of hard times and real-life struggles.
It almost seems fitting, then, that personal success was one of the things that got in the way for some Twin Cities musicians in their 40s who grew up performing the stuff.
"Jobs and fatherhood were the biggest culprits," said MC Felix of the live hip-hop band Heiruspecs. "And then came the pandemic."
"Personal growth was a big part of it for me," Big Jess of the trio Unknown Prophets confessed. "I had to let go of the ego and the pride that was closely tied to [the music]."
Two of the preeminent acts in Minnesota hip-hop in the 2000s, Heiruspecs and Unknown Prophets each recently released their first new albums in about a decade. They're celebrating together at the Heiruspecs Summer Classic on Saturday, a fun, free, family-friendly block party also featuring rapper-turned-legislator María Isa outside the Keg & Case complex in St. Paul.
In each case, those new records compete as Heiruspecs and Unknown Prophets' best ever — despite coming well after what many would consider the heyday era of any act in the youth-centric genre of hip-hop.
In fact, one of the things that makes these records so potent and powerful is how the rappers open up about being world-weary, middle-aged dads and professionals instead of the more typical young dudes ready to conquer the world.
There's talk of money problems, job pressures and aging on Heiruspecs' soulful and funky new collection, cheekily titled "Pretty Random but What Happened to the Heiruspecs" (taken from an online commenter who erroneously thought the group had broken up).