Hitmaker has been in the right place at the right time

If Peter Asher were trying to condense his remarkable résumé, he could simply write: the Forrest Gump of rock.

Since the 1960s, he's been nearly everywhere.

This week at the Dakota Jazz Club in Minneapolis, Asher, 67, will explore his career in song and conversation in a multimedia evening he calls "A Musical Memoir of the '60s and Beyond."

There's so much to cover, he probably won't talk about his current projects -- including a Buddy Holly tribute CD ("Listen to Me") featuring Stevie Nicks, Lyle Lovett and Cobra Starship (his daughter Victoria is the group's keyboardist).

His next album production features the husband-wife guitar duo Rodrigo y Gabriela. "Their records up until now have been just the two of them," he said. "This is a collection of their most popular tunes redone with Cuban musicians playing along."

From his Hollywood office, Asher shared some of his Gump moments.

On 'I Want to Hold Your Hand':

"In some respects, it's quite ordinary when someone says 'You wanna hear a song?' and you sit down in a room in your own house," Asher said. "They sat side by side on the piano bench. There were no guitars. They played loud on the piano. Poor John sang loud; perhaps all of the German training, singing over raucous crowds and fights and cigarette smoke. They were really tough singers.

"There was something mysterious about hearing great art at the instance of its creation -- which sounds kind of pompous because it's only a pop song."

On getting 'World Without Love' from McCartney:

It was "an orphan song" that the Beatles weren't going to record. McCartney offered it to Billy J. Kramer, who declined, Asher said. "It wasn't finished. It didn't have a bridge. Weeks or months later, Peter and Gordon got a record deal from EMI. They were thinking of us as a little more folky. They said, 'If you have any songs you'd like to suggest, by all means.'"

So Asher asked McCartney about "World Without Love." He said yes to the duo doing the song but "we had to nag him a little bit so he wrote the bridge shortly before the recording session."

"They were very rarely unanimous but they were exciting bosses to have and they tended to allow each other a lot of room," said Asher, who met with them weekly to discuss Apple issues. "It was more like John would let Paul go ahead with his Mary Hopkin thing while John was off doing some crazy Yoko stuff.

"They were smilingly tolerant of each other's project until they weren't" -- a dispute over management of the Beatles, which led to their breakup. "John could be quite grumpy about stuff. Paul tended to be more diplomatic."

On the most lucrative recording he's worked on:

Probably "James Taylor's Greatest Hits." "That went on selling forever and forever," he said.

On Taylor's drug problems:

On which relationship led to better art: John & Yoko or Mick & Marianne:

"That's a hard comparison. Mick wrote 'As Tears Go By' after he met her at this party that I took her [and her husband] to. They wrote 'Sister Morphine' together and he wrote lots of songs about her. John and Yoko goes on until this day, in the sense that Yoko is still the carrier of the flame. There was lots of good songs there."

On who was more challenging to manage: Courtney Love or Pamela Anderson

Courtney, he said without hesitation. "Pam was challenging but in the relative scale of craziness and unpredictability, Courtney wins. I like them both. But Courtney could be really nuts. Pam is still a friend and a neighbor."