It's not every day that a dance company takes on the swagger and trappings of rock stars. But when the American Ballet Theatre comes to the Twin Cities this weekend for four shows at the Minnesota Landscape Arboretum, they will be rolling in like, well, Beyoncé or the Rolling Stones.
The 20-plus dancers, tech crew and everyone else associated with the tour will arrive in tour buses and support vehicles that double as their homes on the road, with kitchens, bathrooms and other amenities.
The travel party includes two semitrucks — big rigs that convert, transformer-style, into a performance stage with a lighting grid, all powered by another tour vehicle. The outdoor stage at the arboretum will be set up near the big red barn by the bee pollinator center. Audience members can bring their own chairs to the makeshift amphitheater (a concessions stand will be available).
"It's kind of unbelievable what we're actually doing and it's unheard of for a ballet company," said artistic director Kevin McKenzie. "The dancers and crew are literally on rock 'n' roll buses. Charge that to the pandemic."
The nation's preeminent ballet company, whose iconic figures include George Balanchine, Agnes de Mille and Twyla Tharp, was getting ready to launch its 80th season in New York when the pandemic hit. Its leaders worried that dance would be the last thing to come back, since performing arts shows usually take place in packed indoor spaces. Worse, they feared that their dancers could become isolated and, frankly, depressed. So they devised a plan that borrowed from the National Basketball Association.
"We put the dancers in bubbles," said McKenzie. "Got to keep everybody engaged and positive. And we had to keep on creating. And so, we just said, 'Well, how do we do it safely?' — not just for our artists, but also audiences."
The effort produced some of the pieces that will be shown in "ABT Across America," a 50-minute show that has two performances both on Saturday and Sunday (with Monday as a rain date).
The program includes excerpts from such classical pieces as "Don Quixote" and "Swan Lake," alongside newer choreography set to music by Duke Ellington, Count Basie and other jazz giants.