NEW YORK -- At CNN's bureau in the Time Warner building on Columbus Circle, Jeffrey Toobin is a cubicle nomad. In between his 8 a.m. stand-up to discuss updates in the Penn State and Trayvon Martin cases, and his 11 a.m. studio sitdown with Ashleigh Banfield to talk about the shootings at a movie theater in Aurora, Colo., he hops from PC to PC, checking and sending e-mails and posting blog items.
Lacking his own desk at the cable-TV offices, Toobin at one point forgets where he left his briefcase, but remains unfazed. When he and Banfield launch into their on-camera banter, his analysis comes so quickly and effortlessly, it wouldn't be surprising if he were simultaneously composing his next Tweet in his head.
Toobin's career demands multitasking at almost every moment. He juggles three jobs in the same field -- legal correspondent for both CNN and the New Yorker, and author of several books, including 2007's best-selling Supreme Court narrative "The Nine."
His latest, "The Oath: The Obama White House and the Supreme Court" (on sale Tuesday), examines several tumultuous years at the nation's highest court, from Chief Justice John Roberts' muffing his lines during Obama's oath of office in 2008 to the landmark Citizens United controversy to the surprise conclusion of the closely watched health-care decision in June, over which Toobin had to eat a rather large crow.
Toobin comes to St. Paul Sept. 26 as a speaker for the Talking Volumes series.
On this typical Toobin workday, you have to walk fast if you want to keep up.
"Lawyers sometimes benefit from mystifying what they do, and the advantage of knowing a subject well is the ability to say, it's actually not that complicated, and here's what matters," said Toobin, a Harvard-educated former prosecutor, as he expertly wiped all traces of orange-tinted makeup from his face before heading out to hop a subway to Times Square and the New Yorker offices, where at least he gets his own cubbyhole (other writers have to share).
"The Oath" is Toobin's second book about the Supreme Court. His first, "The Nine," offered a telling behind-the-scenes look at Bush v. Gore. It also humanized the justices, revealing idiosyncrasies and eccentricities usually cloaked by the black robes of secrecy.