“Little Big League” isn’t the finest movie ever shot in Minnesota. It probably wouldn’t crack the top 10. But the 30th anniversary of its original release deserves at least a little fanfare.
The film cleared only $12 million at the box office, a disappointment when compared with other ‘90s baseball flicks like “A League of Their Own” ($107 million) and “Angels in the Outfield” ($50 million), but neither of those hits have beloved play-by-play announcer John Gordon bellowing out obscure statistics, Emmy winner Timothy Busfield getting soaked by the Flume at Shakopee’s Valleyfair and water balloons being dropped from the top of St. Paul’s Landmark Center.
And then there’s the fact that it’s all about the Twins, a team forever in need of motivation — and what’s more inspiring than a film about a basement-dwelling outfit that catches fire after a 12-year-old becomes their coach?
“All baseball movies are pretty much heartwarming, but I don’t think you could come up with a more feel-good example than ‘Little Big League,’” said Gordon, who shot his scenes behind a WCCO radio microphone but went by the name Wally Holland. “It’s a movie that hasn’t died.”
The screenwriters probably didn’t own Homer Hankies. Producers picked Minneapolis because of the same tax incentives that drew “Jingle All the Way” and “Fargo” to the state. And the Metrodome offered a covered site where they could film around the clock no matter the weather conditions.
“Having a roof was the key part,” said location manager Robert Medcraft, who returned to the now defunct venue for 1998′s “Major League: Back to the Minors.” ”It wasn’t the most beautiful ballpark in the world, but I never complained. Between those two films, I made almost a year’s salary.”
Medcraft, who went on to open Choo Choo Bob’s Train Store in St. Paul, introduced the Hollywood hotshots to other local sites. Part of the fun of revisiting the film is seeing how it incorporates the St. Paul Hotel, Edina’s Countryside Park, St. Paul’s Groveland Park Elementary and Minnehaha Falls.
Super-alert viewers may recognize Minneapolis native Vincent Kartheiser as one of the teenage stickball players. He later moved to L.A. and snagged the juicy role of Pete Campbell on “Mad Men.” And if you hang around for the credits, you’ll notice that Bill Pohlad, a son of then-Twins owner Carl Pohlad, is listed as a second unit director, experience that probably came in handy when he produced “12 Years a Slave” and “Wild.”