Maybe you sang "Puff the Magic Dragon." Or maybe "Rocky Mountain High." Or maybe Bob Dylan's "Forever Young." Maybe you sang "The Border Trail."
By Lake Duncan and Clearwater/to the Bearskin, I will go./Where you see the loon and hear his plaintive wail./If you think that in your inner heart/There's swagger in your step/You've never been along the Border Trail."
If you ever went to summer camp, there's probably a song that brings you back to a particular cabin or campfire just as surely as seeing that scar on your ankle. Camp songs can be as much a part of the experience as lanyards and leeches.
"Music has a way of taking people from all walks of life and bringing them to a common experience," said Betsy Moss Jorgenson, who was a camper and counselor at YMCA Camp Menogyn on the Gunflint Trail near Grand Marais, Minn. "It's a symbol of what camp does, and it stays with you long after that canoe trip. I mean, for the rest of my life, I'll hear a John Prine song and I'll be right back on some river."
It's difficult to say when camp singing began. Voyageur fur trappers paddled their canoes to the beat of a song, with French and Ojibwe tunes regulating the endless strokes.
Folk singer Pete Seeger, speaking at the 1987 International Camping Congress, thought camp singing had its roots in gospel revival meetings — a theory that internationally known songleader the Rev. Larry Eisenberg backed, according to an account on the American Camp Association website.
(Eisenberg, by the way, is credited with popularizing "Kumbaya" in camps.)
The gospel-meeting connection helps explain the influence of African-American songs in camp singing, the account continued. "They are melodious, easy to sing, and their simple tunes combine with compelling rhythms to exactly suit the mood and needs of a group singing around a campfire." Think "Do Lord," "When the Saints Go Marching In," "Swing Low, Sweet Chariot," "He's Got the Whole World in His Hands."