Gary Turnquist planned to depict — in basil and timothy — the iconic scene from "The Shining" of a frayed Jack Nicholson bursting through a door and hollering "Here's Johnny" for this year's crop art entry at the Minnesota State Fair.
Then Turnquist found out his great-granddaughter would be there.
"That one of Nicholson is a little on the scary side," said Turnquist, 75, who lives in Lindstrom. So he hatched an alternative plan: The Passion of the Christ, a close-up cropping of Jesus wearing a crown of thorns. Less frightening subject, and Turnquist added that he discovered a message of racial unity within his own seed mosaic.
Whether the tens or even hundreds of thousands of people who passed through the Agriculture/Horticulture building during the 12-day fair to take in this year's batch of seed art caught what Turnquist saw as a representation of human diversity is unknown. Artistic intention can be elusive in the commercial art market, let alone the agricultural genres.
"There's five [varieties of] seeds there," Turnquist said. "They're all their natural color and they represent the [diversity] of human kind."
But it would be a mistake to sum up the seed art contest as staid, a simple gluing of pumpkin seeds to paper plates. Lillian Colton, a godmother of the crop arts, for decades conjured in poppy seed and canola faces from Abe Lincoln to artist Grandma Moses with precision and beauty. Others channeled political opinions via seed-laced puns or Internet memes.
"My piece is a three-dimensional Noah's Ark, with all kinds of pairs of animals," said Teresa Anderson, of St. Paul, who runs the cropart.com website and competes in the advanced class. "Where the name of the ship would be it says, 'GOP Climate Plan.'"
This year's Best of Show went to Linda Paulsen of Hackensack, who crafted a portrait of television groundbreaker Betty White. Cream of Wheat form White's pearly teeth.