Talk about taking it back to the motherland. A few years ago while reading Maya Angelou's "All God's Children Need Traveling Shoes," M.anifest ran into a familiar name in the book: that of his maternal grandfather back in Ghana.
"I always only thought of him as the guy my mother and I lived with growing up," the Twin Cities hip-hop star said of J.H. Kwabena Nketia, who is one of Africa's most respected ethnomusicologists. He employed Angelou when she lived in Ghana in the 1960s.
"It opened my eyes to that musical connection I have with my grandfather, and with all of Ghana," the rapper said.
Reading about his grandfather helped push the real-life Kwame Amet Tsikata, 29, into reclaiming his West African roots -- a sort of reverse rite of passage that plays a big role in his buoyant, personal new album, "Immigrant Chronicles: Coming to America," which he celebrates with a release party Saturday at the Fine Line. It was also one of several serendipitous cross-continent connections that have become defining points in a music career now on the verge of an international breakthrough.
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M.anifest's Cross-Atlantic Serendipity, Case #2: M.anifest moved to Minnesota from Ghana in 2001 to attend Macalester College, knowing nothing about the Twin Cities music scene or its African population. He started rapping in high school, but only after he arrived did he learn the Twin Cities has the kind of hip-hop scene "generous enough to accept an outsider like me."
"And I'm from far outside the scene," he cracked last week over a lunch of sambusa at Midtown Global Market's Safari Express. His attire spoke volumes: a wooden Africa-shaped necklace and colorful batik-style shirt under a black Puma track jacket that any other rapper in town might show up wearing.
M.anifest hit the scene in a relatively big way straight out of college in 2007, when he issued his debut, "Manifestations." The album earned interest nationally (a track was used in an online Pepsi ad) and internationally (labels in Europe and Japan reissued it). Locally, it ranked No. 5 in our year-end Twin Cities Critics Tally and quickly made him a fixture at hip-hop and world-music gigs.