The city of Minneapolis plans to reopen the intersection where George Floyd was killed, but not until after the trial of former Minneapolis police officer Derek Chauvin, Mayor Jacob Frey and Council Members Andrea Jenkins and Alondra Cano announced Friday.
The intersection at 38th and Chicago must never "return to normal," Frey said, adding that a survey will be sent out in a few weeks for residents to vote on preservation options for the memorial.
"During the trial, we know that 38th and Chicago will be a very important gathering space for community. We don't want to take that away," he said.
At the same time, the mayor signaled that the city is willing to risk a confrontation it has avoided for months. He declared that the intersection cannot be allowed to be an "autonomous zone," and he is laying out steps to eventually reinstate two-way traffic and bus routes after the trial.
Marcia Howard, one of the most stalwart protesters occupying the intersection, said the elected officials' announcement Friday doesn't change anything for her.
"The police have had multiple incursions into this zone in a way to go back to status quo and defile the sanctity of this memorial," she says. "To be clear, this place is multiple things at the same time. It is a memorial, and it is a protest zone. But first and foremost, it is my neighborhood. And so I will continue to stand in my neighborhood, continue to stand in solidarity against systemic oppression, right here at 38th and Chicago. No justice, no street."
City leaders have felt increasing pressure to reopen the streets from business owners and residents. At Friday's news conference, Frey and others praised the memorial but also suggested they were ready to take control.
"Amid the darkness, the community came forward and they managed to shine a light on 38th and Chicago in a beautiful way to memorialize George Floyd," Frey said. "But the intervening months have been far less straightforward. Barricades that were originally placed at the intersection to protect both people as well as the public art are now in many senses used as a screen for illicit activity and have re-traumatized neighborhoods."