The "grand grounding": That's how composer Libby Larsen sees her life since COVID came to town.
"Being grounded in the teenage sense, like you can't go anywhere," she said via Zoom from her Minneapolis home. "But I've also experienced a kind of grounding that's been really lovely. The last 25 years, I've been on the road much of the time. … I'd come home from a great residency somewhere, throw stuff in the washing machine, and try to ground myself with the solitude needed for composing. But the bag was always packed."
That's what life is like when you're among the classical music world's most performed living composers, a Grammy-winning holder of two honorary doctorates who's been commissioned to write new works relatively constantly for three decades. While Larsen has called the Twin Cities home since her family moved here in her childhood, 2020 gave her a chance to stick around — a chance she relished.
Larsen marked her 70th birthday on Christmas Eve, inspiring three local classical organizations to join forces and celebrate her artistry. The Schubert Club, VocalEssence and the Source Song Festival will present a concert of Larsen's music that will be streamed at Schubert.org at noon Thursday and available on demand through Feb. 7.
"It's wonderful they're doing this. But, being a good Scandinavian, I'm kind of at a loss for words. It's like, 'No, no,' " she said, her head sliding down into her jacket.
A loss for words might be hard to imagine during a conversation with Larsen, a high-energy woman who speaks swiftly and enthusiastically. She clearly thrives on human contact, which doesn't fit the typical image of the solitary composer scribbling at the piano.
"When the grand grounding happened last March, I was really disoriented for almost a month [from] non-interaction with human beings," she said. "In the same room, with the same energy, working on the same thought, each in our own way. And I did a little bit of grieving, and a lot of experimenting, as we all have, with Zoom, thinking: How can we get that experience? And the heart of the matter is: We can't. That is an experience that no technology is going to replace, much less better.
"So, once I wrapped my mind and my heart around 'OK, we're going to communicate the best way we can,' then I found that a different kind of time set in. … I started to think about what could happen in a piece of music in a different way."