Even when hearing it from another guy who shopped in the boys' department during high school, Chris Perricelli wouldn't buy the notion that one reason he's such a consummate rock 'n' roll frontman might be to compensate for his short stature. It's a story line that's been stuck to Prince's blouse tails for years.
"That's hilarious to me," said the man whose nickname and band moniker is Little Man.
The 5-foot-2 rocker exudes confidence and energy onstage, bearing a charisma that's much bigger than he is. He also dresses kind of flashy and plays a style of bravely classic-sounding rock, ideally traits for a big man to pull off.
"It's just the way I am onstage, with or without a band behind me," he insisted. "I just really get into it. That's me 100 percent. It's nothing made up."
Nice try, anyway. Perricelli's rock-starry aura indeed appeared effortless when he sat for an interview at the Turf Club last Sunday, two days after he and the band played a T. Rex tribute set for Halloween. ("Pretty easy," Perricelli admitted. T. Rex is his most obvious influence, followed by Bowie, Zeppelin and the Who.)
Showing the quiet, timid personality that belies his onstage persona, the 34-year-old Chicago-via-Massachussetts transplant spent a lot of time talking about another big contradiction in his life -- one that helped explain the zen-laden, mystic themes on his new album, "Of Mind and Matter." He's promoting the new record Saturday at 7th Street Entry with an expanded Little Man lineup.
"The funny thing is, what I do is completely opposite of what zen is," said Perricelli, a well-versed reader of Joseph Campbell, Alan Watts and other meditative philosophers.
"When you're meditating, you're supposed to be quieting the mind and finding a serene spot. Songwriting, though, is all about imagination and letting your mind wander. I live in a world where my mind has to be very imaginary to come up with songs, so I turn to zen and Buddhism to even things out."