"Moonlighting" finally got the respect it deserves, a remastered resurrection now available on Hulu. "Homicide: Life on the Street," "China Beach" and "Chicago Hope" will most likely get the same treatment in the near future.
But we may never see a spiffed-up version of "I'll Fly Away."
That's partly because the show was never a ratings hit, airing on NBC only from 1991 to 1993. It didn't showcase anyone who would reach Bruce Willis-level fame, although leading man Sam Waterston would go on to help launch "Law & Order."
But the bigger reason streaming services are not clamoring to bring back one of the most ambitious dramas in network TV history is the show's content, an unflinching look at race relations in the South during the late '50s and early '60s. Racial epithets fly. A wrestling coach gets fired for integrating his team. Police brutalize protesters. A boy sneaks out of bed just in time to watch his dad try on a KKK outfit.
There's a flawed hero. Waterston plays district attorney Forrest Bedford of a fictional city who handles cases a lot like the one in "To Kill a Mockingbird." But Bedford is no Atticus Finch.
In early episodes, we learn he has attended White Citizens' Councils meetings. He blanches after learning one of his employees is handing out pamphlets that encourage Blacks to vote. He's carrying on an affair with another lawyer while his wife gets treatment at a mental hospital.
But his conscience is eating at him. Over the course of 39 episodes, he slowly becomes a civil rights crusader. Getting there requires gentle nudging from his Black housekeeper, Lilly Harper.
"There's some good things about him," she tells a friend. "Some bad, too."